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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BRAHMS, Wilhelm Backhaus, Harold Bauer, Arthur Rubinstein, Carl Friedberg, Dame Myra Hess
Grand Piano - Brahms
ZamknijGaleria okładek
- Artur Rubinstein (1887 - 1982)
2 Capriccio in B minor, Op. 76, No. 2 3.28
Rec: February 1923 Roll No: 6596
Harold Bauer (1873 - 1951)
3 Intermezzo in E flat major, Op. 117, No. 1 5.42
Rec: October 1922 Roll No: 6559
4 Intermezzo in E minor Op. 119, No. 2 4.45
Rec: December 1930 Roll No: 7422
Myra Hess (1890 - 1965)
5 Intermezzo in C major, Op. 119, No. 3 1.47
Rec: September 1925 Roll No: 6911
6 Rhapsody in E flat major, Op. 119, No. 4 5.45
Rec: January 1924 Roll No: 6705
Wilhelm Backhaus (1884 - 1969)
7 Variations on a Theme of Paganini Op. 35 Book 1: 1, 3, 7, 12, 13/ Book 2: 3-8, 10, 11, 14 9.25
Rec: January 1924 Roll No: 6813
Carl Friedberg (1872 - 1955)
8 Ballade in B minor, Op. 10, No. 3 Intermezzo 4.32
Rec: April 1915 Roll No: 5641
Edwin Fischer (1886 - 1960)
9 Sonata No. 3 in F minor, Op. 5 Allegro maestoso 6.24
Rec: September 1923 Roll No: 067
10 Andante Andante espressivo 12.05
Rec: September 1923 Roll No: 068
11 Scherzo Allegro energico 4.14
Rec: September 1923 Roll No: 069
12 Intermezzo Andante molto 3.36
Rec: September 1923 Roll No: 070
13 Finale Allegro moderato ma rubato 6.26
- Wilhelm Backhaus - piano
- Harold Bauer - piano
- Carl Friedberg - piano
- Arthur Rubinstein - piano
- Dame Myra Hess - piano
- BRAHMS
34.00 PLN
CD:
Nr kat.: NI8806Label : Nimbus Records
Grand Piano
Grand Piano is a series devoted to the art of the Reproducing Piano. It presents major performances by the legendary pianists who recorded for the Aeolian Company between 1915 and 1930.
The acoustic gramophone rarely attempted major keyboard works. The 78s' restricted sound and duration was acceptable for short virtuoso pieces but little else. In contrast, by 1915, the Aeolian Company's "Duo-Art" was already a highly sophisticated digital recording process. Pianists, well aware of the gramophone's limitations, turned enthusiastically to the reproducing piano. Hofmann, Bauer, Paderewski and Grainger were especially committed, not alone in believing that they had achieved the ultimate recording process. Great pianists joined them in recording their concert repertoire, including much that was never repeated on disc.
The reproducing piano was a tragic victim of the devastated economy of 1930's America. It disappeared, not because it was inadequate, but, because it was expensive. The pianist's faith in the reproducing piano remained overwhelming; one of the most exciting musical inventions of our age.
"Wilhelm Backhaus is strong and lucid in the Paganini Variations while Dame Myra Hess is a sheer delight in the Intermezzi and Rhapsody in E flat!"
Geoffrey Crankshaw, Classic CD
"Artur Rubinstein practically memorized all the music he performed, even into his older age. His incredible talent on here is priceless. Personally, I think music is a great way to escape from stress. These pieces by Brahms are somewhat complex, with huge, powerful chords. The pianists on here have both the talent and incredible ability to play the music accurately and artistically."