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HIMALAJE aufiofilizmu
ORFF, Tschechische Philharmonie Prag, Vaclav Smetacek
Carmina Burana
Legendarne nagranie, niezmiennie poszukiwane od dziesięcioleci
BACH, Jean Guillou
Toccatas et Fugues (BWV 538, 540, 564 & 565)
EDYCJA LIMITOWANA, NUMEROWANA - TYLKO 500 EGZEMPLARZY W SKALI ŚWIATOWEJ
ELLINGTON, SCHUMANN, VIVALDI, Arne Domnerus, Gustaf Sjokvist
Antiphone Blues
Uwaga! Pełna dynamika nagrania! EDYCJE NUMEROWANE, LIMITOWANE
Arne Domnerus, Bengt Hallberg, Lars Erstrand
Jazz At The Pawnshop
Najbardziej audiofilska płyta jazzowa minionego stulecia!
Legendarne brzmienie DORIAN
Winylowy niezbędnik
ClearAudio
Double Matrix Professional - Sonic
najbardziej inteligentna i skuteczna pralka do płyt winylowych wszelkiego typu - całkowicie automatyczna
Klasyczne evergreeny
BEETHOVEN, Valdimir Horowitz
Piano Sonata No. 23 in F Minor, Op. 57 APPASSIONATA // Piano Sonata No. 7 in D, Op. 10, No. 3
LIVING STEREO - NAJLEPSZE NAGRANIA W DZIEJACH FONOGRAFII!
TCHAIKOVSKY, RACHMANINOV, Arthur Rubinstein, Daniel Barenboim
Piano Concerto No. 1 in B-Flat Minor, Op. 23 // Piano Concerto No 2 in C Minor, Op. 18
24bit/92kHz Remastering from original source
BRAHMS, Helene Grimaud, Andris Nelsons, Symphonie-Orchester des Bayerischen Rundfunk, Wiener Philharmoniker – Concertos
| Wykonawcy / kompozytorzy | |
|---|---|
| BRAHMS (composer) | |
| Helene Grimaud (piano) | |
| Andris Nelsons (conductor) | |
| Symphonie-Orchester des Bayerischen Rundfunk (orchestra) | |
| Wiener Philharmoniker (orchestra) | |
Piano Concerto No. 1 in D Minor op. 15
1. 1. Maestoso - Poco pi? moderato (Live) 23:50
2. 2. Adagio (Live) 14:22
3. 3. Rondo. Allegro non troppo (Live) 12:26
Piano Concerto No. 2 in B Flat Major op. 83
1. 1. Allegro non troppo 18:51
2. 2. Allegro appassionato 9:25
3. 3. Andante - Pi? adagio 12:44
4. 4. Allegretto grazioso - Un poco pi? presto 9:17
- Helene Grimaud - piano
- Andris Nelsons - conductor
- Symphonie-Orchester des Bayerischen Rundfunk - orchestra
- Wiener Philharmoniker - orchestra
- BRAHMS
Reviews
February 2014
a superb pianist at the height of their powers [...] teamed to a conductor with whom they seem to have instinctive rapport...there's drama aplenty in the big first movement of the [Second] Concerto. Nelsons secures some delightfully pointed orchestral playing in No. 1's finale, and really creates the restorative calm of No. 2's slow movement.
Awards Issue 2013
Grimaud's second recording of the First sounds a tad less youthful, a tad more disciplined [than her first], but the balance between those two elements remains truly inspired...The Vienna Philharmonic...are a truly imposing force right from the opening...her results [in Op. 83] end up being no less monumental.
18th November 2013
judged on their own merits, [the performances] are outstanding: by turns, majestic, passionate, tender and dramatic... Grimaud?s slow movement is the highlight of the whole recording...The orchestral playing and direction, so crucial in these works, is exemplary as would be expected from two of the world?s great orchestras and one of the new generation of fine conductors.
11th October 2013
Throughout the CD, both conductor and soloist love to crawl when Brahms gives them half a chance. But they also grab the coin?s opposite side and sprint with tremendous vim through the second concerto?s finale...Either way, Grimaud and Nelsons have made their mark.
