Logowanie
OSTATNIE EGZEMPLARZE
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
Billie Holiday
Lady in Satin
- 1. I'm a Fool to Want You [edit] (Herron/Sinatra/Wolf) - 3:23
- 2. For Heaven's Sake (Bretton/Edwards/Meyer) - 3:26
- 3. You Don't Know What Love Is (DePaul/Raye) - 3:48
- 4. I Get Along Without You Very Well (Carmichael) - 2:59
- 5. For All We Know (Coots/Lewis) - 2:53
- 6. Violets for Your Furs (Adair/Dennis) - 3:24
- 7. You've Changed (Carey/Carey/Fischer/Fisher) - 3:17
- 8. It's Easy to Remember (Hart/Rodgers) - 4:01
- 9. But Beautiful (Burke/VanHeusen) - 4:29
- 10. Glad to Be Unhappy (Hart/Rodgers) - 4:07
- 11. I'll Be Around (Wilder) - 3:23
- Billie Holiday - vocal
399.00 PLN
LP-180G 45rpm:
Nr kat.: CS8048Label : Acoustic Sounds
JEDNA Z NAJBARDZIEJ NIEZWYKLYCH PLYT XX WIEKU!
JEJ OSTATNIA PŁYTA... This is the most controversial of all Billie Holiday records. Lady Day herself said that this session (which finds her accompanied by Ray Ellis's string orchestra) was her personal favorite, and many listeners have found her emotional versions of such songs as "I'm a Fool to Want You," "You Don't Know What Love Is," "Glad to Be Unhappy" and particularly "You've Changed" to be quite touching. But Holiday's voice was essentially gone by 1958, and although not yet 43, she could have passed for 73. Ellis's arrangements do not help, veering close to Muzak; most of this record is very difficult to listen to. Late in life, Billie Holiday expressed the pain of life so effectively that her croaking voice had become almost unbearable to hear. The 1997 CD reissue adds two alternate takes of "I'm a Fool to Want You," part of which were used for the original released rendition, plus the stereo version of "The End of a Love Affair" (only previously released in mono) and examples of Lady Day rehearsing the latter song, including a long unaccompanied stretch. There is certainly a wide range of opinion as to the value of this set. — Scott Yanow Billie Holiday - w naszej ofercie
