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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BERLIOZ, Royal Philharmonic Orchestra, BBC Symphony Orchestra, Sir Thomas Beecham
Le Corsaire Overture / Ouverture du Roi Lear / Harold en Italie / Marche troyenne
- Sir Thomas Beecham - Hector Berlioz
- 01. Ouverture "Le Corsaire" (8:13)
- 02. Grande Ouverture du Roi Lear (15:09)
- 03. Harold en Italie - Harold aux montagnes (15:49)
- 04. Harold en Italie - Marche de pèlerins (9:13)
- 05. Harold en Italie - Sérénade (6:15)
- 06. Harold en Italie - Orgie de brigands (12:22)
- 07. Marche troyenne (4:31)
- Sir Thomas Beecham - conductor
- Royal Philharmonic Orchestra - orchestra
- BBC Symphony Orchestra - orchestra
- BERLIOZ
59.00 PLN
CD:
Nr kat.: BBCL4065Label : BBC Legends
"This is a recording of a great occasion, remarkably full in recording, scarcely bothered by audience noise, but also of a marvellous performance." Gramophone The Royal Albert Hall in 1951 proved a tricky environment for recording; despite every engineering effort the sound quality of the RPO Corsaire – percussive tuttis, tremulous legato strings – is unappealing, whereas the Trojan March, recorded in Bristol a few months later, sounds deep, even stodgy. Yet even through Le corsaire there shine Beecham’s outstanding qualities as a Berliozian; and they are still more ingratiatingly present in a grand account of King Lear (RFH, 1954) and an excellent Harold in Italy, recorded in the Usher Hall during the 1956 Edinburgh Festival. Beecham’s Berlioz is at the same time careful in its consideration of the composer’s notated intentions (the dynamic range of this recording shames many recent studio CDs of Berlioz), and daring in its exploitation of total control to enlarge phrases, zip ahead with a new section and attain from a melting account of slower music climaxes of dizzy abandon. Riddle’s strong-toned viola-playing responds admirably to Beecham’s determination, all too rarely emulated, to take literally Berlioz’s request to accelerate, in the first movement, to something like double the original speed. The middle movements of Harold are particularly enjoyable: the opening Adagio, however, is marred by a fit of coughing unseasonable in August, even for Edinburgh. Julian Rushton