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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

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Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

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finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

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Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
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Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

BEETHOVEN, Gidon Kremer, Martha Argerich

Violin Sonatas Nos. 6-8

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Ludwig van Beethoven (1770-1827) SONATAS FOR PIANO AND VIOLIN (NOS. 6—8) SIDE 1 - SONATE A-DUR, OP.30 NR.1: Allegro Adagio molto espressivo Allegretto con Variazioni (I—VI) SIDE 2 - SONATE C-MOLL, OP. 30 NR. 2: Allegro con brio Adagio cantabile Scherzo. Allegro Finale. Allegro — Presto SIDE 3 - SONATE G-DUR, OP. 30 NR. 3: Allegro assai Tempo di Minuetto, ma molto moderato e grazioso Allegro vivace

Gidon Kremer - violin
Martha Argerich - piano

BEETHOVEN

329.00 PLN

2 LP-180G 33rpm:

Nr kat.: ANAPLP43196
Label : Analogphonic

180g Audiophile Virgin Vinyl Double LP! Mastered from the Original Masters of Universal Music by Rainer Maillard at Emil Berliner Studios! Pressed at Optimal in Germany! First Time Ever on Vinyl! Beethoven's op.30 violin and piano sonatas are three irresistibly lively and individual spirits in the hands and imaginations of Martha Argerich and Gidon Kremer. The first, in A major, has that particular quality of blithe and elusive joy reminiscent of the Spring Sonata, and created here by the lightest and truest touch on string and key, fused with bright rhythmic clarity. The slow movement is a tremulous song of long-forgotten, far-off things, in which violin and piano find an intimate balance of tone. The G major Sonata's centrepiece is its Minuet and Trio, which Argerich and Kremer cunningly tease and charm into revealing its archaic qualities: a dance glimpsed through a lace veil. It is framed by two fast movements that would identify their performers anywhere, with their high-voltage velocity and wittily imaginative anticipation of each other's every move. (Gramophone)