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OSTATNIE EGZEMPLARZE
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BEETHOVEN, Berliner Philharmoniker, Otto Klemperer
Symphony 4 and 5
- Symphony No.4 in B flat, Op.60
- I Adagio – Allegro vivace
- II Adagio
- III Menuetto (Allegro vivace)
- Trio (Un poco meno allegro)
- IV Allegro ma non troppo
- Symphony No.5 in C minor, Op.67
- I Allegro con brio
- II Andante con moto
- III Allegro
- IV Allegro – Presto
- Otto Klemperer - conductor
- Berliner Philharmoniker - orchestra
- BEETHOVEN
59.00 PLN
CD:
Nr kat.: SBT1387Label : Testament (UK)
Beethoven -- the great, enlightened, ennobling and inspiring Beethoven of our father and their father's before them back to the dawn of recordings -- was dead by the digital age and it was the original instrument movement that killed him with their too-lean lines, their too-rushed tempos and their too-strained ensemble. These live performances of Beethoven's Fourth and Fifth Symphonies with Otto Klemperer leading the Berlin Philharmonic in May 1966 come from a time when the great Beethoven was alive and well and living in the concert halls and recording studios around the world. Otto Klemperer -- once a radical but the grand old man of German conductors by 1966 -- was a deep believer in the greatness of Beethoven's symphonies and his performances here are immensely strong, tremendously heroic, warmly tender and absolutely right. With scrupulous balances, careful dynamic gradations, complete control of rhythm and tempo, and total command of mass and motion, Klemperer preached his faith from the podium, and the Berlin Philharmonic, then the sumptuous instrument of Herbert von Karajan, responded with all their beauty of tone and virtuosity of technique and the Berlin audience, clearly awed, responded with rapturous and prolonged applause, dutifully preserved on this disc. Although these performances have long circulated in the Klemperer underground of pirated recordings, this legitimate Testament re-issue has the clearest and the most realistic sound by far. (James Leonard, allmusic.com)