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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

BEETHOVEN, STRAUSS R., HAYDN, Wilhelm Furtwangler, Wiener Philharmoniker

Furtwagler in Stockholm

Galeria okładek

01. Symphony No.5 in C Minor Op.67 : I.Allegro con Brio 8:07 Wilhelm Furtwängler, Vienna Philharmonic Orchestra - Symphony No.5 in C Minor Op.67 : II.Andante con Moto 02. Symphony No.5 in C Minor Op.67 : II.Andante con Moto 10:36 Wilhelm Furtwängler, Vienna Philharmonic Orchestra - Symphony No.5 in C Minor Op.67 : III.Allegro 03. Symphony No.5 in C Minor Op.67 : III.Allegro 5:45 Wilhelm Furtwängler, Vienna Philharmonic Orchestra - Symphony No.5 in C Minor Op.67 : IV.Allegro 04. Symphony No.5 in C Minor Op.67 : IV.Allegro 8:18 Wilhelm Furtwängler, Vienna Philharmonic Orchestra - Don Juan Op.20 05. Don Juan Op.20 16:35 Wilhelm Furtwängler, Vienna Philharmonic Orchestra - Symphony No.94 in G Major Surprise : I.Andante Cantabile 06. Symphony No.94 in G Major Surprise : I.Andante Cantabile 7:06 Wilhelm Furtwängler, Vienna Philharmonic Orchestra - Symphony No.94 in G Major Surprise : II.Andante 07. Symphony No.94 in G Major Surprise : II.Andante 7:09 Wilhelm Furtwängler, Vienna Philharmonic Orchestra - Symphony No.94 in G Major Surprise : III.Menuetto 08. Symphony No.94 in G Major Surprise : III.Menuetto 3:56 Wilhelm Furtwängler, Vienna Philharmonic Orchestra - Symphony No.94 in G Major Surprise : IV.Finale 09. Symphony No.94 in G Major Surprise : IV.Finale 3:54

Wilhelm Furtwangler - conductor
Wiener Philharmoniker - orchestra

BEETHOVEN
STRAUSS R.
HAYDN

34.00 PLN

CD:

Nr kat.: ARPCD0136
Label : Archipel Records

"Wilhelm Furtwängler (January 25, 1886 – November 30, 1954) was a German conductor and composer. He is widely considered to have been one of the greatest symphonic and operatic conductors of the 20th century. During the 1920s and 1930s, Furtwängler became one of the leading conductors in Europe, as principal conductor of the Berlin Philharmonic from 1922, as principal conductor of the Gewandhaus Orchestra from 1922–26, and as a major guest conductor of other leading orchestras such as the Vienna Philharmonic. He was the leading conductor who remained in Germany during the Second World War, and although not an adherent to the Nazi regimethis decision caused controversy for the rest of his life. The extent to which his presence lent prestige to the Third Reich is still debated. Furtwängler's interpretive art is well documented in commercial and off-air recordings and this has led to him being revered by a large number of musicians, critics and record collectors since his death. Furtwängler's conducting style is often contrasted to that of his older contemporary Arturo Toscanini, whose work during this period was also widely documented. Like Toscanini, Furtwängler was a major influence on many later conductors, and his name is often mentioned when discussing their interpretive style. Unlike Toscanini, Furtwängler sought a weighty, less rhythmically strict, more bass-oriented orchestral sound with more conspicuous use of tempo inflections not indicated in the printed score."