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BEETHOVEN, Friedrich Gulda, Wiener Philharmoniker, Horst Stein

Die Klavierkonzerte Nr. 1-5 / Klaviersonaten Nr. 23 Appassionata & Nr. 24

  • 1. 1st Movement: Allegro con brio
  • 2. 2nd Movement: Largo
  • 3. 3rd Movement: Rondo
  • 6. 3rd Movement: Rondo (Molto allegro)
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(DISC 1): Piano Concerto No. 1 in C major, Op. 15 1. 1st Movement: Allegro con brio 2. 2nd Movement: Largo 3. 3rd Movement: Rondo 4. Klaviersonate Nr. 23 f-moll op. 57 'Appassionata' 5. Klaviersonate Nr. 24 Fis-dur op. 78 'A Therese' (DISC 2): Piano Concerto No. 2 in B flat major, Op. 19 4. 1st Movement: Allegro con brio 5. 2nd Movement: Adagio 6. 3rd Movement: Rondo (Molto allegro) Piano Concerto No. 3 in C minor, Op. 37 1. 1st Movement: Allegro con brio 2. 2nd Movement: Largo 3. 3rd Movement: Rondo (Allegro) (DISC 3): Piano Concerto No. 4 in G major, Op. 58 4. 1st Movement: Allegro moderato 5. 2nd Movement: Andante con moto 6. 3rd Movement: Rondo (Vivace) Piano Concerto No.5 in E flat major, Op.73 "Emperor" 1. 1st Movement: Allegro 2. 2. 2nd Movement: Adagio un poco mosso 3. 3rd Movement: Rondo (Allegro)
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149.00 PLN

3 CD:

Nr kat.: 4801191
Label  : DECCA

AllMusic Review by James Leonard [-] Here's a Beethoven piano concertos cycle that time forgot: Friedrich Gulda's cycle with Horst Stein leading the Wiener Philharmoniker. Recorded in 1970 and released on Decca, Gulda's performances were initially greeted with modified enthusiasm -- some praised it for its freedom from hidebound tradition, others criticized it for its liberties with the published score -- but soon faded from both the catalog and listeners' memories. Reissued by Brilliant in 2008, Gulda's Beethoven returns with its virtues intact and its vices muted. A noted jazz pianist and a classical pianist best known for his recordings of Mozart's piano concertos, Gulda brings his fluent technique, molded tone, and flexible sense of tempo to Beethoven's music. The results seem to work better now after the experience of the period instrument/historically informed performance practice movement than it did before. Naturally, the Wiener Philharmoniker plays as if to the manner born: the suaveness of the strings, the character of the winds, the nobility of the horns, and the power of timpani are all echt-Beethoven in tone and technique. Horst Stein mediates between Gulda's liberty and the Wiener Philharmoniker's tradition, unifying the performances despite the obvious differences in the performers' approaches. Filling out the set is a limp and lackluster performance by pianist Shoko Sugitani with Gerard Oskamp directing the Berliner Sinfonie-Orchester of the composer's arrangement of his violin concerto as a piano concerto. While Gulda and Stein's cycle of the canonical concertos is well worth hearing by anyone who enjoys the works, Sugitani and Oskamp's version of the piano (née violin concerto) is eminently forgettable. Minimally remastered, Decca's stereo sound is lush, smooth, and warm.

 
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