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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BARTOK, Hagen Quartett
String Quartets Nos. 1-6
- CD 1
- String Quartet No. 1, Op. 7, BB 52
- 1. I. Lento 09:26
- 2. II. Poco a poco accelerando all' allegretto - III. Introduzione: Allegro - 10:31
- 3. III. Allegro vivace - Adagio - Tempo I 09:45
- String Quartet No. 2, Op. 17, BB 75
- 4. I. Moderato 09:41
- 5. II. Allegro molto capriccioso 07:42
- 6. III. Lento 08:45
- String Quartet No. 4, BB 95
- 7. I. Allegro 06:17
- 8. II. Prestissimo, con sordino 02:49
- 9. III. Non troppo lento 05:46
- 10. IV. Allegretto pizzicato 02:44
- 11. V. Allegro molto 05:35
- CD 2
- String Quartet No. 3, BB 93
- 1. I. Prima parte: Moderato 04:48
- 2. II. Seconda parte: Allegro - III. Ricapitulazione della prima parte: Moderato 08:33
- 3. IV. Coda: Allegro molto 01:53
- String Quartet No. 5, BB 110
- 4. I. Allegro 07:12
- 5. II. Adagio molto 05:56
- 6. III. Scherzo. Alla bulgarese 04:47
- 7. IV. Andante 04:59
- 8. V. Finale: Allegro vivace 06:48
- String Quartet No. 6, BB 119
- 9. I. Mesto - Vivace 07:48
- 10. II. Mesto - Marcia 08:03
- 11. III. Mesto - Burletta: Moderato 07:12
- 12. IV. Mesto - Molto tranquillo 06:39
- Łączny czas: 02:33:39
- Hagen Quartett - group
- BARTOK
59.00 PLN
2 CD:
Nr kat.: 8802011Label : Newton Classics
Béla Bartók’s six quartets are considered the most important cycle of works in the genre after those of Beethoven. Like Beethoven, the form of the quartet spanned Bartók’s creative life, across the years 1908–39. The First Quartet shows the young composer influenced by Max Reger, Wagner and late Beethoven – composers who also exerted an influence on Bartók’s contemporary Arnold Schoenberg’s First Quartet, a work Bartók knew well. The Second Quartet saw the mature Bartókian style emerge – repeated fragments within the octave, scales without a fixed final note, and the unmistakable sound of Hungarian folk music. The sixth and final work is haunted by grief, personal and political. Bartók was deeply unsettled and alarmed by the political situation in Europe and the rise of the Nazis, and his mother fell ill at the time of this quartet’s composition; he decided to leave his native Hungary for America, from where he would never return. Recordings made in 1995 and 1998. New booklet notes. ‘Six very different musical worlds illuminated with laser-like precision – and with a few quirky gestures added for effect. A major addition to the Bartók quartet discography.’ Gramophone, August 2000 ‘Both the Fifth and Sixth Quartets are packed full of the most delicate ideas, shimmering, self-communing music with occasional bursts of unchecked passion (No.6’s Marcia) or humour (the close of No.5’s finale and No.6’s Burletta).’ Gramophone, August 2000