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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BARTOK, Gyorgy Sandor
Complete Solo Piano Music
ZamknijGaleria okładek
- Gyorgy Sandor - piano
- BARTOK
169.00 PLN
5 CD:
Nr kat.: CD5X3610Label : VOX Classics (USA)
"Complete" not only refers to all of Bartók's original solo piano music gathered on five CDs, but also to György Sandor's mastery over every aspect of his one-time teacher's wide-ranging keyboard oeuvre. These 1963 recordings generally find Sandor on more incisive, agile form than in his early-1990s solo Bartók remakes for Sony. Sandor's singing tone, sense of color, and inborn legato are always evident, from the most violent percussive clusters in the Etudes, Burlesques, Sonata, and Improvisations down to the simplest teaching pieces. He takes the time and trouble to play the didactic and undemanding first two books of Mikrokosmos like music rather than mere exercises. At the same time, Sandor's vibrant sense of rhythm and effortless, flexible technique generate equal doses of beauty and excitement in the Sonatina, the Nine Little Pieces, Allegro Barbaro, the Out of Doors Suite, and Six Dances in Bulgarian Rhythm. As you listen to Sandor's gorgeous shadings and textural control in the Two Elegies the composer's debt to Debussy becomes crystal clear. Sonically speaking, the Vox sessions wear their age gracefully in these new transfers, although it was necessary to copy Disc 5's selections from vinyl pressings, due to missing master tapes. One gripe qualifies my recommendation: multi-movement works are not individually tracked. You have to futz around with your fast forward and reverse buttons to access specific movements or pieces, just like in the bad old days of cassettes. --Jed Distler, ClassicsToday.com