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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Barry White
Can't Get Enough
- Barry White - vocal
129.00 PLN
CD:
Nr kat.: UICY78755Label : UNIVERSAL (Japan)
Edysja kolekcjonerska - JEDNORAZOWA
#281 on Rolling Stone's List of the 500 Greatest Albums of All Time By the time he truly hit his stride in 1974 with Can't Get Enough, Barry White had firmly established his vocal persona on the contemporary music scene. The classic 7-song set is the third release in his stellar run of album successes, topping the Billboard 200 and R&B charts and peaking at #4 in the UK. White's allure lay in his ability to craft beautiful love songs and embellish them with luxuriant strings, a great rhythm section, and a gospel-styled female chorus. The combination is never more evident than on the classic title track and "You're My First, My Last, My Everything" an anthem that appealed to White's pop audience. Both of these uptempo #1 chart-topping tracks were early echoes of the danceable, orchestrated funk stylings that became the sound of the disco era. In addition to the aforementioned hits, "I Can't Believe You Love Me" and "Oh Love, Well We Finally We Made It" also qualify as two of White's most fetching slow burners. The album is bookended by "Mellow Mood (Pts. 1 & 2)," two brief orchestral instrumentals that showcase White's knack for layered arrangements. Numbered limited edition 180g virgin vinyl pressing from Audio Fidelity mastered by Kevin Gray at Cohearent Audio.
