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BACH, Palladian Ensemble

Trio Sonatas

Palladian Ensemble - Bach Trio Sonatas Trio Sonata in C major (originally G), BWV 530; 01. I. Vivace (3:22) 02. II. Lento (8:11) 03. III. Allegro (3:15) 04. Duetto in E minor, BWV 802 (2:23) 05. Duetto in F major, BWV 803 (3:19) Trio Sonata in G major (originally G), BWV 525; 06. I. Allegro Moderato (2:41) 07. II. Adagio (6:53) 08. III. Allegro (3:12) Trio Sonata in G minor (originally D minor), BWV 527; 09. I. Andante (5:04) 10. II. Adagio e dolce (6:39) 11. III. Vivace (3:44) 12. Duetto in G major, BWV 804 (3:00) 13. Duetto in A minor, BWV 805 (2:45) Trio Sonata in F major (originally C), BWV 529; 14. I. Allegro (4:20) 15. II. Largo (5:27) 16. III. Allegro (3:29) 17. Fourteen 'Goldberg' Canons, BWV 1087 (7:16)
  • Palladian Ensemble - group
  • BACH
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54.00 PLN

CD:

Nr kat.: HONCD5036
Label  : Linn Records

BBC Music Magazine By transcribing four of Bach's organ sonatas, the Palladian Ensemble has, quite legitimately, reversed Bach's own ingenious concept of placing a trio under the hands, and feet, of a single player. There's a wonderful sense of communication between recorder, violin and cello, interweaving and imitating each other. The exhileration of fast movements is heightened by the plucked continuo, variously, guitar, archlute and theorbo - the opening of BWV 529, effectively a concerto, is breathtaking... Between the sonatas are four duets, rarely heard pieces in which Bach indulges his fancy in a remarkable range of devices-fugue, canon, inversion...The disc ends with similar contrapuntal delights, 14 canons which Bach jotted down on the back of his own copy of the Goldberg Variations. There's a droll solution to the problem of ending 'perpetual canons' - the players simply fade away. If this is an ensemble in search of a repertoire, they've found a highly effective one. In the trio sonatas especially, they shed fresh light on Bach with their extrovert playing and sense of uninhibited elation.