Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BACH, Jacques Loussier Trio
Play Bach No. 1
- 1. Prelude and Fugue, for keyboard No. 1 in C major (WTC I/1), BWV 846 (BC L80): Praludium Nr. I C-Dr
- 2. Prelude and Fugue, for keyboard No. 1 in C major (WTC I/1), BWV 846 (BC L80): Fuge Nr. I C-Dur
- 3. Prelude and Fugue, for keyboard No. 2 in C minor (WTC I/2), BWV 847 (BC L81): Praludium Nr. 2 C-Moll
- 4. Prelude and Fugue, for keyboard No. 2 in C minor (WTC I/2), BWV 847 (BC L81): Fgue Nr. 2 C-Moll
- 5. Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
- 6. Prelude and Fugue, for keyboard No. 8 in E flat minor (WTC I/8), BWV 853 (BC L87): Prelude No. 8
- 7. Prelude and Fugue, for keyboard No. 5 in D major (WTC I/5), BWV 850 (BC L84): Praludium Nr. 5 D-Dur
- 8. Prelude and Fugue, for keyboard No. 5 in D major (WTC I/5), BWV 850 (BC L84): Fuge Nr. 5 D-Dur
- Jacques Loussier Trio
- BACH
WZNOWIENIE!
As long as 40 years ago, at a time when Pop and Classical music were strictly separated from one another, Jacques Loussier's "Swinging Bach" thrilled both friends of Baroque music and jazz lovers alike. Other musicians have tried, and are still trying, to jump on this modern "Bach band wagon" but not one of them has achieved anything like the international success of the French trio. "Play Bach" is to be taken at its word. If Prelude, Fugue or Toccata is on the label then thats what one gets: the melodies and the harmonic structure of Johann Sebastian's original works are largely left untouched you always know where counterpoint stops and groove sets in. Just as in Bach's day the keyboard is at the fore, but the double bass also has a good share of the polyphony, and the finely nuanced percussion swings along as though it has no cares in the world and adds its own sparks of fire to pearl-like scale passages. What better way to bring the Bach Year to an end than with the re-release of the first Loussier album? The first of Bach's 48 Preludes and Fugues shows how it began just as they show how Jacques Loussier began.
