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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
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kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
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PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BACH, Piers Lane
Piano Transcriptions, Vol. 8 – Eugen d'Albert
- 1 Passacaglia in C minor, BWV582 [10'49] arr. Eugen d' Albert (1864-1932)
- SIX PRELUDES AND FUGUES
- Fantasia and Fugue in C minor, BWV537 arr. Eugen d' Albert (1864-1932)
- 2 Movement 1: Prelude [4'33]
- 3 Movement 2: Fugue [3'07]
- Prelude and Fugue in G major, BWV541 arr. Eugen d' Albert (1864-1932)
- 4 Movement 1: Prelude [2'26]
- 5 Movement 2: Fugue [3'46]
- Toccata and Fugue in F major, BWV540 arr. Eugen d' Albert (1864-1932)
- 6 Movement 1: Prelude [7'39]
- 7 Movement 2: Fugue [5'16]
- Prelude and Fugue in A major, BWV536 arr. Eugen d' Albert (1864-1932)
- 8 Movement 1: Prelude [1'44]
- 9 Movement 2: Fugue [3'54]
- Prelude and Fugue in F minor, BWV534 arr. Eugen d' Albert (1864-1932)
- 10 Movement 1: Prelude [4'29]
- 11 Movement 2: Fugue [4'20]
- Toccata and Fugue in D minor 'Dorian', BWV538 arr. Eugen d' Albert (1864-1932)
- 12 Movement 1: Prelude [5'01]
- 13 Movement 2: Fugue [7'11]
- Prelude and Fugue in D major, BWV532 arr. Eugen d' Albert (1864-1932)
- 14 Movement 1: Prelude [4'20]
- 15 Movement 2: Fugue [5'22]
- Piers Lane - piano
- BACH
59.00 PLN
CD:
Nr kat.: CDA67709Label : Hyperion
Hyperion’s Bach Piano Transcriptions series reaches volume 8, and continues to surprise and delight with a disc containing many first recordings. The controversial figure of Eugen d’Albert was one of the greatest pianists of his day and, although largely forgotten now, a composer of genuinely international renown. A sometime student at the Royal College of Music, d’Albert rejected his British upbringing and nailed his colours to the mast of German music. Bach was an important part of his performing career—and like other great nineteeth-century pianists, d’Albert saw in the monumental scale of the organ works an opportunity to synthesize the works of the Master with the expanded capabilities of the modern piano. ----------------------------------------- 'I found Lane's Prelude (Toccata) and Fugue in D minor, BWV538 unassailably alive to the possibilities that both Bach and d'Albert leave open. The rhythmic impulse never flags, the pithy contrapuntal detail keeps afloat and there is a subliminal sense of goal to keep the thing intact. The A major Fugue, BWV536 shows the pianist highly authoritative and, for me, underlines the highest musicianship' (International Record Review)