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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

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On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
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KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

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Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

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Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

BACH, Ketil Haugsand, Norwegian Baroque Orchestra

Orchestral Suites 1 and 2 / Harpsichord Concerto BWV 1053

Utwory
Wykonawcy
Twórcy

Orchestral Suites 01. Cantata BWV 42 - Am Abend aber desselbingen Sabbats - Sinfonia (7:24) Orchestral Suite No. 2 BWV 1067 in B minor - 02. Ouverture (6:16) 03. Rondeau (1:55) 04. Sarabande (2:56) 05. Bourrée I & II (2:14) 06. Polonaise (3:29) 07. Menuet (1:09) 08. Badinerie (1:43) Harpsichord Concerto BWV 1053 in E major - 09. [Allegro] (8:11) 10. Siciliano (4:52) 11. Allegro (6:54) Orchestral Suite No. I BWV 1066 in C major - 12. Ouverture (6:06) 13. Courante (2:26) 14. Gavotte I & II (3:04) 15. Forlane (1:23) 16. Menuet I & II (2:58) 17. Bourrée I & II (2:44) 18. Passepied I & II (3:29)

Ketil Haugsand - conductor
Norwegian Baroque Orchestra - orchestra

BACH

79.00 PLN

HDCD :

Nr kat.: CKD181
Label : Linn Records

"Full of alert characterisation ... this disc gets better and better." - Gramophone "The Bach was stylistic and thrillingly performed" Norwegian Press The Norwegian Baroque Orchestra is gathered from the best players on period instruments all over Norway and the Nordic area -with international supplements. The orchestra has collaborated widely with a number of conductors -most notably the Norwegian harpsichordist Ketil Haugsand and the British conductor Andrew Parrott. JS Bach (1685-1750) has recently been at the centre of musical attention due to the 250th anniversary of his death. There have been many recent performances of his church cantatas, but this should not detract from his gifts as an orchestral composer of the greatest genius. The two orchestral suites contain some of Bach's most exuberant and attractive music. Suite no. 2 was written at a time when the new transverse flute was much in vogue. All of Bach's harpsichord concertos date from the 1730's and are transcriptions of earlier works. The E major concerto heard here may originate in a lost oboe concerto in E flat. The three movements had already been re-used in cantatas 169 and 49: the outer movements formed sinfonias while the slow movement was an aria. "The Norwegians played with brilliance, .... Ketil Haugsands tempi were throughout dreamlike" Das Musikinstrument

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