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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BACH, The King's Consort, Robert King
Mass in B Minor - 2CD
- Mass in B minor, BWV232
- CD1
- 1 Part 1 Missa No 01. Chorus: Kyrie eleison [10'09]
- King's Consort Choir
- 2 Part 1 Missa No 02. Duet: Christe eleison [4'59]
- Matthias Ritter (treble), Manuel Mrasek (treble)
- 3 Part 1 Missa No 03. Chorus: Kyrie eleison [3'40]
- King's Consort Choir
- 4 Part 1 Missa No 04. Chorus: Gloria in excelsis Deo [1'43]
- King's Consort Choir
- 5 Part 1 Missa No 05. Chorus: Et in terra pax hominibus [4'39]
- King's Consort Choir
- 6 Part 1 Missa No 06. Aria: Laudamus te [4'11]
- Manuel Mrasek (treble)
- 7 Part 1 Missa No 07. Chorus: Gratias agimus tibi [3'03]
- King's Consort Choir
- 8 Part 1 Missa No 08. Deut: Domine Deus [5'40]
- Matthias Ritter (treble), Anthony Rolfe Johnson (tenor)
- 9 Part 1 Missa No 09. Chorus: Qui tollis peccata mundi [3'01]
- King's Consort Choir
- 10 Part 1 Missa No 10. Aria: Qui sedes ad dextram Patris [4'22]
- Manuel Mrasek (treble)
- 11 Part 1 Missa No 11. Aria: Quoniam tu solus sanctus [4'22]
- Michael George (bass)
- 12 Part 1 Missa No 12. Chorus: Cum Sancto Spiritu [3'42]
- King's Consort Choir
- CD2
- 1 Part 2 Symbolum Nicenum No 1. Chorus: Credo in unum Deum [1'57]
- King's Consort Choir
- 2 Part 2 Symbolum Nicenum No 2. Chorus: Patrem omnipotentem [1'57]
- King's Consort Choir
- 3 Part 2 Symbolum Nicenum No 3. Duet: Et in unum Dominum [4'44]
- Matthias Ritter (treble), Matthias Schloderer (alto)
- 4 Part 2 Symbolum Nicenum No 4. Chorus: Et incarnatus est [3'07]
- King's Consort Choir
- 5 Part 2 Symbolum Nicenum No 5. Chorus: Crucifixus etiam pro nobis [3'36]
- King's Consort Choir
- 6 Part 2 Symbolum Nicenum No 6. Chorus: Et resurrexit tertia die [3'50]
- King's Consort Choir
- 7 Part 2 Symbolum Nicenum No 7. Aria: Et in Spiritum Sanctum [5'21]
- Michael George (bass)
- 8 Part 2 Symbolum Nicenum No 8. Chorus: Confiteor unum baptisma [3'42]
- King's Consort Choir
- 9 Part 2 Symbolum Nicenum No 9. Chorus: Et expecto resurrectionem [2'10]
- King's Consort Choir
- 10 Part 3 Sanctus. Chorus: Sanctus [5'04]
- King's Consort Choir
- 11 Part 4 Osanna, Benedictus, Agnus Dei and Dona nobis pacem No 1. Chorus: Osanna in excelsis [2'46]
- King's Consort Choir
- 12 Part 4 Osanna, Benedictus, Agnus Dei and Dona nobis pacem No 2. Aria: Benedictus [5'18]
- Anthony Rolfe Johnson (tenor)
- 13 Part 4 Osanna, Benedictus, Agnus Dei and Dona nobis pacem No 3. Chorus: Osanna in excelsis [2'46]
- King's Consort Choir
- 14 Part 4 Osanna, Benedictus, Agnus Dei and Dona nobis pacem No 4. Aria: Agnus Dei [5'36]
- Maximilian Fraas (alto)
- 15 Part 4 Osanna, Benedictus, Agnus Dei and Dona nobis pacem No 5. Chorus: Dona nobis pacem [3'44]
- King's Consort Choir
- The King's Consort - orchestra
- Robert King - conductor
- BACH
'King has succeeded brilliantly in reclaiming the profundity and emotional commitment of traditional Bach performances. This new Mass in B minor is a magnificent achievement and a joy to hear' (BBC Music Magazine) 'Robert King's recording is comparable with the best ... a fine recording of a most persuasive interpretation' (Soundscapes, Australia) 'A reading which consistently brings out the joy of Bach's inspiration, not least in the great celestial outbursts of the Sanctus or the final Dona nobis pacem' (The Penguin Guide to Compact Discs) -------------------------------------- Of all Bach's great output of sacred music, the Mass in B minor stands alone, not just for its supreme musical greatness, but because it was composed for no specific occasion. It is unlikely that Bach ever heard (or even expected to hear) it performed in its entirety. Instead, the composer seems to have occupied part of his final years writing a work that was intended to be a summation of his art, a document for future generations, and a supreme personal opportunity to unite his faith in God with his life's work as a musician. This is the first recording of the Mass in B minor to use an all-male choir and soloists as envisaged by the composer: a very exciting release which has already provoked much comment and anticipation.