Ta strona wykorzystuje mechanizm ciasteczek (cookies) do poprawnego działania. Więcej informacji na stronie Polityka Prywatności. Zamknij.


BACH, BEETHOVEN, Glenn Gould, Vladimir Golschmann, Leonard Bernstein

Keyboard Concertos Nos. 1-5 and 7 / Piano Concerto No. 1

Keyboard Concertos Nos. 1-5 and 7 / Piano Concerto No. 1 image
Galeria okładek

ZamknijGaleria okładek

1. Johann Sebastian Back - Keyboard Concertos Nos. 1-5 & 7 2. Ludwig Van Beethoven - Piano Concerto No. 1
  • Glenn Gould - piano
  • Vladimir Golschmann - conductor
  • Leonard Bernstein - conductor
  • Columbia Symphony Orchestra - orchestra
  • BACH
Add to Basket

489.00 PLN

3 LP-180G 33rpm:

Nr kat.: Gould_box
Label  : SpeakersCorner


The attempts that have been made to describe Glenn Gould’s complex personality are endless in number, as are his surprising and often eccentric interpretations. Whether he is considered to be a sensitive maniac, neurotic individualist or uncompromising genius – Gould polarizes, provokes and fascinates us long after his death in 1982. As early as 1964 the Canadian pianist ceased to give concerts, since he found appearing before an audience completely unacceptable and preferred to concentrate on studio recordings. Way in front of composers of the Viennese Classical era, which he did not take particularly seriously – although his performances keenly reflect Beethoven’s rhythmicity – comes his personal deity: Bach. Gould’s notorious strictness gives form to the minutest of figure in the score. He weaves his way through Bach’s music and thereby articulates its tightly knit and multifaceted depths. No lecturing keyboard proponent this, but a creative co-composer who imbues the spirit of the music with life and sonority. Upon the release in 1980 of the 80th Birthday Edition with its wealth of visual and tonal material, the music journalist Werner Theurich wrote that "no one had ever played more raptly, or more intensively. That Gould’s performances are nothing but heavenly can be seen and felt. The rest is pure music." Recorded in April 1957, May 1967 and February 1969 at Columbia 30th Street Studio, New York City, by Fred Plaut and produced by Andrew Kazdin.


Razem z tą płytą inni Melomani kupowali: