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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
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kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
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PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BACH, Angela Hewitt
Das wohltemperirte Clavier - Book 2
- Das wohltemperirte Klavier 'The well-tempered Clavier' Book 2, BWV870-893
- CD1
- 1 No 01 in C major, BWV870. Movement 1: Prelude [2:34]
- 2 No 01 in C major, BWV870. Movement 2: Fugue [1:36]
- 3 No 02 in C minor, BWV871. Movement 1: Prelude [2:29]
- 4 No 02 in C minor, BWV871. Movement 2: Fugue [2:48]
- 5 No 03 in C sharp major, BWV872. Movement 1: Prelude [1:56]
- 6 No 03 in C sharp major, BWV872. Movement 2: Fugue [1:52]
- 7 No 04 in C sharp minor, BWV873. Movement 1: Prelude [4:48]
- 8 No 04 in C sharp minor, BWV873. Movement 2: Fugue [2:14]
- 9 No 05 in D major, BWV874. Movement 1: Prelude [5:34]
- 10 No 05 in D major, BWV874. Movement 2: Fugue [2:57]
- 11 No 06 in D minor, BWV875. Movement 1: Prelude [1:30]
- 12 No 06 in D minor, BWV875. Movement 2: Fugue [2:10]
- 13 No 07 in E flat major, BWV876. Movement 1: Prelude [2:30]
- 14 No 07 in E flat major, BWV876. Movement 2: Fugue [1:48]
- 15 No 08 in D sharp minor, BWV877. Movement 1: Prelude [4:03]
- 16 No 08 in D sharp minor, BWV877. Movement 2: Fugue [4:32]
- 17 No 09 in E major, BWV878. Movement 1: Prelude [4:53]
- 18 No 09 in E major, BWV878. Movement 2: Fugue [3:28]
- 19 No 10 in E minor, BWV879. Movement 1: Prelude [4:13]
- 20 No 10 in E minor, BWV879. Movement 2: Fugue [2:47]
- 21 No 11 in F major, BWV880. Movement 1: Prelude [3:22]
- 22 No 11 in F major, BWV880. Movement 2: Fugue [1:39]
- 23 No 12 in F minor, BWV881. Movement 1: Prelude [4:44]
- 24 No 12 in F minor, BWV881. Movement 2: Fugue [1:52]
- CD2
- 1 No 13 in F sharp major, BWV882. Movement 1: Prelude [3:28]
- 2 No 13 in F sharp major, BWV882. Movement 2: Fugue [2:32]
- 3 No 14 in F sharp minor, BWV883. Movement 1: Prelude [3:06]
- 4 No 14 in F sharp minor, BWV883. Movement 2: Fugue [3:42]
- 5 No 15 in G major, BWV884. Movement 1: Prelude [2:40]
- 6 No 15 in G major, BWV884. Movement 2: Fugue [1:13]
- 7 No 16 in G minor, BWV885. Movement 1: Prelude [3:39]
- 8 No 16 in G minor, BWV885. Movement 2: Fugue [2:37]
- 9 No 17 in A flat major, BWV886. Movement 1: Prelude [4:08]
- 10 No 17 in A flat major, BWV886. Movement 2: Fugue [3:39]
- 11 No 18 in G sharp minor, BWV887. Movement 1: Prelude [4:11]
- 12 No 18 in G sharp minor, BWV887. Movement 2: Fugue [3:20]
- 13 No 19 in A major, BWV888. Movement 1: Prelude [2:10]
- 14 No 19 in A major, BWV888. Movement 2: Fugue [1:13]
- 15 No 20 in A minor, BWV889. Movement 1: Prelude [4:27]
- 16 No 20 in A minor, BWV889. Movement 2: Fugue [1:29]
- 17 No 21 in B flat major, BWV890. Movement 1: Prelude [7:22]
- 18 No 21 in B flat major, BWV890. Movement 2: Fugue [2:36]
- 19 No 22 in B flat minor, BWV891. Movement 1: Prelude [3:09]
- 20 No 22 in B flat minor, BWV891. Movement 2: Fugue [4:36]
- 21 No 23 in B major, BWV892. Movement 1: Prelude [2:05]
- 22 No 23 in B major, BWV892. Movement 2: Fugue [3:27]
- 23 No 24 in B minor, BWV893. Movement 1: Prelude [2:13]
- 24 No 24 in B minor, BWV893. Movement 2: Fugue [1:44]
- Angela Hewitt - piano
- BACH
99.00 PLN
2 CD:
Nr kat.: CDA67303Label : Hyperion
'Since she won the 1985 Toronto Bach competition, Angela Hewitt has established herself as the Bach pianist par excellence of her generation. Here she crowns her enthralling set of Book 1 of the "48" with a performance of Book 2 that no lover of Bach's keyboard works will want to be without. It is impossible to catalogue the manifold felicities of her playing in a short review, but the variety of colour and mood she brings to this music is irresistible throughout.' (The Sunday Times) 'A delight to both ear and mind. I have nothing but enthusiasm for Angela Hewitt's musicianly and imaginative performances' (Gramophone) 'Hewitt has set a new benchmark. Her touch is admirably clear and light, her choices of tempo make perfect musical sense and, a trained dancer, she is uniquely attuned to Bach's supple, sprightly rhyhms. A '48' of exceptional grace and beauty' (BBC Music Magazine) 'I know of no musician whose Bach playing on any instrument is of greater subtlety, beauty of tone, persuasiveness of judgement or instrumental command than Hewitt's is here' (BBC Music Magazine) 'It ranks with the best ever set down. Subtle, daring (yet never idiosyncratic), continually alive to the two most enrapturing features of Bach's music (dance and song), she exhibits a rhythmic vitality and sophistication matched by very few' (The Piano) 'Her [Angela Hewitt's] sound and articulation seem ideally suited to the music ... highly recommended.' (International Record Review) 'I know of no musician whose Bach playing on any instrument is of greater subtlety, beauty of tone, persuasiveness of judgement or instrumental command than Hewitt’s is here' (BBC Music Magazine)