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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BACH, Robert Cohen
Cello Suites 1-6
ZamknijGaleria okładek
- Robert Cohen - cello
- BACH
64.00 PLN
2 CD:
Nr kat.: RRC2001Label : Regis Records
Bach's cello suites are arguably the greatest works ever written for solo cello. Recorded by any cellist worth his salt, these works contain some of the most poignant and emotional music Bach ever wrote. John Friesen performs these works on a very attractive-sounding instrument, which has a deep, rich bass, and wonderful resonance. This is clearly a "big" sound - undoubtedly not a baroque instrument (no information is given in the notes), but one that is tastefully recorded. Each of these suites opens with a prelude that should be improvisatory in nature. But Friesen seems a bit too stuck in the rhythm of the score, and plays these preludes far too strictly - the notes all seem to be played on the beat; there is no freedom here. He seems much freer in the allemandes and sarabandes, where one can hear a certain amount of emotion comes through, but at times, such as in the allemande of the 3rd suite, his tone is off occasionally. While Friesen shows more control in the faster movements, such as the courantes and gigues, there is still an overall lack of flexibility that prevents the music from truly developing. Unfortunately, there is a lack of direction in this recording. The tempi are too often wooden and rigid, the bowing sounds forced, and the music seems to be hidden behind the notes. There is little to be said for this disc, and listeners who want to discover these works would be much better off listening to such brilliant performances as those of Anner Bylsma or Peter Wispelwey. Kirk McElhearn Review: "few'could fail to be impressed by playing of this order" "deeply expressive" (Gramophone)