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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
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Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
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PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
ARENSKY, Stephen Coombs
Piano Music
- Six Caprices, Op 43
- 1 No 1: Moderato in A minor [1'49]
- 2 No 2: Vivace in A major [1'53]
- 3 No 3: Andante sostenuto in C major [2'27]
- 4 No 4: Allegro in G major [1'47]
- 5 No 5: Andante in D major [2'27]
- 6 No 6: Allegro moderato in B major [2'37]
- Six Pièces, Op 53
- 7 No 1: Prélude. Largo [3'49]
- 8 No 2: Scherzo. Allegro [3'13]
- 9 No 3: Élégie. Allegro non troppo [2'59]
- 10 No 4: Mazurka. Tempo di mazurka [1'43]
- 11 No 5: Romance. Andante [2'40]
- 12 No 6: Étude. Allegro [1'49]
- 24 Characteristic Pieces, Op 36
- 13 No 03: Nocturne. Andante sostenuto [2'59]
- 14 No 15: Le ruisseau dans la forêt. Allegro moderato [3'28]
- 15 No 20: Mazurka. Allegro moderato [2'25]
- 16 No 16: Élégie. Adagio non troppo [3'39]
- 17 No 13: Étude. Moderato [2'27]
- Près de la mer 'Six Esquisses', Op 52
- 18 No 4: Allegro moderato in G flat major [3'26]
- 19 No 5: Allegro scherzando in E flat minor [2'34]
- Quatre Morceaux, Op 25
- 20 No 1: Impromptu. Andante sostenuto [3'31]
- 21 No 2: Rêverie. Andantino [2'32]
- 22 No 3: Étude 'on a Chinese theme'. Presto [3'42]
- 23 No 4: Scherzino. Allegro molto [1'22]
- Quatre Études, Op 41
- 24 No 1: Allegro molto in E flat major [1'39]
- 25 No 2: Allegro vivace in F sharp major [2'16]
- 26 No 3: Allegro in E flat minor [1'44]
- 27 No 4: Allegro molto in A minor [1'30]
- Stephen Coombs - piano
- ARENSKY
39.00 PLN
CD:
Nr kat.: CDH55311Label : Hyperion
Stephen Coombs's 'Russian Piano Portraits' series turns its attention to solo piano music by Anton Arensky, one of the more shadowy figures of the Russian pianistic pantheon. Bon viveur extraordinaire, Arensky lived life in Moscow to the full—and to the disgust of colleagues such as Rimsky-Korsakov—but he was also an important teacher whose pupils included Rachmaninov, Scriabin, Glière and Grechaninov. Indeed, it was Arensky, together with Taneyev (successor to Rubinstein as director of the Moscow Conservatory), who shaped a situation in 1880s Moscow which finally allowed the city to rival St Petersburg in terms of its musical culture. Arensky's piano pieces have an easy charm and lyrical breadth of melodic invention. They also show rare inventiveness. There is a quality that is both nostalgic and surprising, reassuringly familiar yet unconventional in harmonic and melodic construction. This music has the power to move the emotions, not perhaps in a dramatic or passionate way, but by its rather personal reflective quality. -------------------------------------------- 'Intimately played and warmly recorded' (BBC Music Magazine) 'An enchanting and beautifully played recital' (Hi-Fi News) 'Coombs produces a lovely sound, is a powerful virtuoso, and is an elegant stylist. Hyperion has given him superb recorded sound' (American Record Guide)