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Alicia Alonso

Prima Ballerina Assoluta

Prima Ballerina Assoluta image
Galeria okładek

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  • Swan Lake: Black Swan Pas de Deux
  • Music: Tchaikovsky
  • Choreography: Alicia Alonso, after Petipa
  • Dancers: Alicia Alonso, Azari Plisetsky, Hugo Guffanti
  • 1968
  • Romeo & Juliet: Bedroom Scene
  • Music: Berlioz
  • Choreography: Alicia Alonso
  • Dancers: Alicia Alonso, Azari Plisetsky
  • 1970
  • Giselle: Act II Pas de Deux
  • Music: Adam
  • Choreography: Alicia Alonso, after Coralli & Perrot
  • Dancers: Alicia Alonso, Azari Plisetsky
  • 1963
  • Don Quixote: Act III Pas de Deux
  • Music: Minkus
  • Choreography: Alicia Alonso, after Petipa & Obukhov
  • Dancers: Alicia Alonso, Azari Plisetsky
  • 1968
  • Pas De Quatre
  • Music: Pugni
  • Choreography: Alicia Alonso, after Perrot
  • Dancers: Alicia Alonso, Mirta Plá, Loipa Araújo, Aurora Busch
  • 1968
  • La Fille Mal Gardée: Lisette Keeps Her Love a Secret
  • Music: Hertel
  • Choreography: Alicia Alonso, after Dauberval
  • Dancers: Alicia Alonso, Azari Plisetsky
  • 1968
  • Oedipus Rex; Bedroom Scene
  • Music: Brouwer
  • Choreography: Alicia Alonso & Jorge Lefebre
  • Dancers: Alicia Alonso, Jorge Esquivel
  • 1971
  • La Peri
  • Music: Burgmüller
  • Choreograhy: Alberto Méndez
  • Dancers: Alicia Alonso, Jorge Esquivel
  • 1985
  • Carmen Suite: Variations & Habanera
  • Music: Shchedrin, after Bizet
  • Choreography: Alicia Alonso
  • Dancers: Alicia Alonso, Azari Plisetsky
  • 1968
  • All with Ballet National de Cuba
  • National Symphony Orchestra of Cuba
  • Manuel Duchesne Cuzán conductor
  • Bonuses
  • Swan Lake: Black Swan Pas de Deux
  • Music: Tchaikovsky
  • Choreography: Petipa
  • Dancers: Alicia Alonso, Igor Youskevitch
  • Orchestre de Radio-Canada, Jean Beaudet
  • December 4, 1958
  • Pas de Quatre
  • Music: Pugni
  • Choreography: Anton Dolin, after Perrot
  • Dancers: Alicia Alonso, Melissa Hayden, Nora Kaye, Mia Slavenska
  • Bell Telephone Hour Orchesta/Voorhees
  • April 1, 1960
  • Alicia Alonso - artist

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A compilation of performances from 1963 to 1985 includes many of Alonso’s most celebrated roles. These range from Giselle, Swan Lake, Don Quixote & Coppélia, Romeo & Juliet, and others. She is joined by members of her company, The Ballet Nacional de Cuba. As bonuses are performances from the CBC (with Igor Youskevitch,1958) and Bell Telephone Hour (with Melissa Hayden, Nora Kaye & Mia Slavenska, 1960). 74 min., Color, B&W. Playable in all regions.