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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Aki Hata
Lass die Welt untergehen
畑亜貴 - 世界なんて終わりなさい
01. 琥珀 (4:23)
02. 針の実 (4:48)
03. 火を見る未来 (4:31)
04. 紀元前 (3:36)
05. 天狼星 (6:07)
06. 不眠が全て (4:21)
07. 窒素揺れて (4:01)
08. 熱 (3:02)
09. メソポタミアの殺人 (3:29)
10. 赤い蝋燭 (4:00)
11. 海への眺めの (3:12)
12. けだし、夢とは (5:22)
13. 香気よ (3:43)
14. 安堵 (4:47)
15. 死霊の館 (2:39)
16. 世界なんて終わりなさい (2:26)
- Aki Hata - vocal
79.00 PLN
CD:
Nr kat.: ARC1047Label : Arcangelo Japonia
Aki Hata is a well-known composer of video games and TV series music, but she has also released a couple of regular albums within the Prog spectrum.''L'ile aux trente cercueil'' features also the presence of guitarist Koichi Namiki (also a composer of video games music) and falls in the Electronic/Symphonic Prog territory.Fairly synth-dominated with programmed bass and drums and Namiki providing the electric guitar, the music is similar to 80's Japanese Prog bands of a parallel vein with over-the-top female vocals in Japanese, bombastic symphonic orchestrations, grandiose and virtuosic keys and many romantic themes of a quasi Classical nature.Decent work despite the strict personel with some very good instrumental passages.