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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Ahmad Jamal
Ahmad Jamal
The early recordings made by Ahmad Jamal for the Epic label have disappeared into the annals of jazz history. His trio with bass and drums, however, was certainly a whole lot more famous in clubs, at festivals and on TV shows in the '50s. The present LP contains 12 numbers performed as a trio composed of a guitar (Ray Crawford) and bass (Eddie Calhoun) or drums (Walter Perkins). Featuring only a few compositions of his own, most of the titles are favorites from musicals of the day.
Ahmad Jamal reveals the influence of Art Tatum and Nat King Cole in his performances, whereby his masterly art and independent style is already recognizable. The trios are quite unique in themselves, although the hierarchy is unchangeable: Ahmad Jamal is and remains the boss; he performs the majority of the solos. A special highlight is surely the first version of "Billy Boy."
And not only Miles Davis praised the pianist for his technical prowess and wealth of ideas. "Aki And Ukthay" (Brother and Sister) also offers the possibility to admire Jamal’s pianistic proficiency. What a good idea to bring out these early recordings once more for jazz lovers. Especially because the Epic label is truly underestimated in the record market. The recording quality is absolutely impeccable – a true listener’s gem.
Musicians:
Ahmad Jamal (piano)
Ray Crawford (guitar)
Eddie Calhoun (bass)
Walter Perkins (drums)
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