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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
ACHRON, Hagai Shaham, Arnon Erez
Complete Suites for Violin and Piano
- CD1
- 1 Hebrew Melody Op 33 [5'48]
- 2 Hebrew Dance [6'07]
- 3 Hebrew Lullaby [3'03]
- 4 Eli Zion (1912) [6'20]
- 5 Prelude Op 13 [3'40]
- 6 Souvenir de Varsovie Op 14 [3'29]
- 7 Coquetterie Op 15 [2'22]
- 8 Serenade Op 17 [2'50]
- 9 Les sylphides Op 18 [3'10]
- 11 Berceuse Op 20 [3'46]
- 12 Dance Improvisation Op 37 [3'08]
- 13 Scher Op 42 [2'00]
- 14 Märchen Op 46 [3'43]
- 15 Liebeswidmung Op 51 [2'16]
- 16 Canzonetta Op 52 No 2 [2'37]
- Zwei Stimmungen Op 32 [5'49]
- 17 No 1 in D minor [2'04]
- 18 No 2 in B minor [3'45]
- Zwei Stimmungen Op 36 [5'25]
- 19 No 1 in G minor [3'38]
- 20 No 2 in B major [1'47]
- Two Pastels Op 44 [6'35]
- 21 No 1 in A minor [3'58]
- 22 No 2 in E minor [2'37]
- Stempenyu Suite (1918, revised 1930) [6'36]
- 23 Stempenyu plays [2'07]
- 24 Scher [1'41]
- 25 Freilachs [2'48]
- CD2
- Suite No 1 (‘en style ancien’) Op 21 [13'27]
- 1 Prélude: Tempo giusto [2'44]
- 2 Gavotte: Allegro moderato [3'18]
- 3 Sicilienne: Andantino [3'18]
- 4 Fughetta: Non troppo allegro [1'21]
- 5 Gigue: Allegro comodo [2'46]
- Suite No 2 Op 22 [15'31]
- 6 En passant: Vivo e scorrendo [1'49]
- 7 Menuet: Allegretto aperto —
- Trio: Un poco meno mosso [4'13]
- 8 Moulin: Vivace e gajamente assai [1'25]
- 9 Intermezzo: Cantabile e molto dramatico [4'45]
- 10 Marionettes: Allegro molto e scherzando [3'19]
- Hagai Shaham - violin
- Arnon Erez - piano
- ACHRON
'Shaham and Erez deliver outstandingly committed performances, revelling in the music's virtuosity, fantasy and heightened intensity of expression' (BBC Music Magazine) Admired by Schoenberg (who described him as ‘one of the most underestimated of modern composers’), Joseph Achron was a boundary defying violinist-composer of extraordinary gifts. He drew on his Jewish faith to profound effect, from the early influence of his cantor father to his enthusiastic championing of the Society for Jewish Folk Music (which did for Jewish music what Bartók did for Eastern European folk culture). It’s hardly surprising that much of Achron’s music is for violin—he was a consummate player himself and a prolific recitalist. But what’s striking is how varied and exploratory his output is, delighting in experimentation, as the wonderfully named Suite bizarre demonstrates, just as much as the direct emotionalism of his transcriptions of Hebraic melodies. Who better to present this music than two artists steeped in similar traditions to Achron: Hagai Shaham and Arnon Erez.
