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BERLIOZ, Robin Ticciati, Swedish Radio Symphony Orchestra

Romeo et Juliette

Disc 1: 1. Part 1. Introduction instrumentale (Combats - Tumulte - Intervention du Prince) 2. Part 1. Prologue. Récitatif harmonique. "D’anciennes haines endormies" 3. Part 1. Strophes. "Premiers transports que nul n’oublie!" 4. Part 1. "Bientôt de Roméo" - Scherzetto vocal. "Mab, la messagère" 5. Part 2. Roméo seul. Tristesse - Bruit lontain de bal et de concert 6. Part 2. Grande fête chez Capulet 7. Part 3. Nuit sereine. Le jardin de Capulet, silencieux et désert Disc 2: 1. Part 4. La reine Mab, ou la Fée des songes 2. Part 5. "Jetez des fleurs pour la vierge expirée!" 3. Part 6. Roméo au tombeau des Capulets 4. Part 6. Invocation - Réveil de Juliette - Joie délirante, désespoir, dernières angoisses et mort des deux amants 5. Part 7. La foule accourt au cimetière - Rixe des Capulets et des Montagus 6. Part 7. Air. "Pauvres enfants que je pleure" 7. Part 7. Serment de réconciliatio
  • Robin Ticciati - conductor
  • Swedish Radio Symphony Orchestra - orchestra
  • BERLIOZ

Produkt w tej chwili niedostępny.

Katija Dragojevic (mezzo-soprano), Andrew Staples (tenor), Alastair Miles (bass) Swedish Radio Symphony Orchestra & Swedish Radio Choir, Robin Ticciati Ticciati has previously recorded Symphonie Fantastique, Les nuits d'été & La mort de Cléopâtre and L'enfance du Christ; the latter was named Gramophone's 'Top Choice' recording of this repertoire. Ticciati and the SRSO are joined by the Swedish Radio Choir, a phenomenal ensemble and one of the best large-scale choruses in Europe, alongside featured soloists Katija Dragojevic mezzo-soprano, Andrew Staples tenor and Alastair Miles bass. Roméo et Juliette was considered a pinnacle of French Romanticism and a brilliant example of Berlioz's orchestral mastery. The work is one of the most original conceptions of the nineteenth century: deftly poised between symphony and stage drama. Robin Ticciati fully communicates the range of Berlioz's imagination; he brings an innate understanding of the romanticism of the music and succeeds in delivering a performance that is brimming with color. BBC Music Magazine

November 2016

*****

“If freshness and vitality appeal more than sheer richness, try listening to this”

The Guardian

11th September 2016

****

“orchestrally superb...The sound pictures are precise and subtle...Katija Dragojevic is a gorgeously warm mezzo, and Alastair Miles a stentorian bass in the final Serment de réconciliation, but a boxy acoustic underbalances the chorus.”