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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

WAGNER

Legendary Wagner Singers Of The 1930s

Galeria okładek

1. Tannh„user: Dich, teure Halle (2:59)
Conductor Hans Schmidt-Isserstedt
Performer Hilde Konetzni (Soprano)
Ensemble Berlin Deutsche Oper Orchestra
Recording Date 1/18/1937
2. Tannhauser: Blick' ich umher in diesem edlen Kreise (4:16)
Conductor Franz Alfred Schmidt
Performer Rudolf Bockelmann (Baritone)
Ensemble Berlin Deutsche Oper Orchestra
Recording Date 2/3/1933
3. Tannh„user: Wohl wusst' ich hier sie im Gebet zu finden (4:03)
Conductor Selmar Meyrowitz
Performer Herbert Janssen (Baritone)
Date Written 1841/1852
Ensemble Berlin Philharmonic Orchestra
Recording Date 12/13/1929
4. Tannh„user: O, du mein holder Abendstern (4:11)
Conductor Selmar Meyrowitz
Performer Herbert Janssen (Baritone)
Date Written 1845/1861
Ensemble Berlin Philharmonic Orchestra
Recording Date 12/13/1929
5. Lohengrin: Einsam in trben Tagen "Elsa's dream" (4:15)
Conductor Walter Lutze
Performer Maria Reining (Soprano)
Date Written 1847
Ensemble Berlin Deutsche Oper Chorus Men
Recording Date 11/23/1939
6. Lohengrin: Mein Herr und Gott, nun ruf' ich dich (4:49)
Conductor Heinz Tietjen
Performer Margarete Klose (Alto)
Maria Mller (Soprano)
Josef von Manowarda (Bass)
Jaro Prohaska (Baritone)
Franz V”lker (Tenor)
Date Written 1847
Ensemble Bayreuth Festival Chorus
Recording Date 8/24/1936
7. Lohengrin: Euch Lften, die mein Klagen (3:27)
Conductor Walter Lutze
Performer Maria Reining (Soprano)
Date Written 1847
Ensemble Berlin Deutsche Oper Orchestra
Recording Date 11/23/1939
8. Lohengrin: Das ssse Lied verhallt...Atmest du nicht mit mir (8:40)
Conductor Heinz Tietjen
Performer Franz V”lker (Tenor)
Maria Mller (Soprano)
Date Written 1847
Ensemble Bayreuth Festival Orchestra
Recording Date 8/29/1936
9. Lohengrin: In fernem Land (9:00)
Conductor Heinz Tietjen
Performer Franz V”lker (Tenor)
Date Written 1847
Ensemble Bayreuth Festival Chorus
Recording Date 8/24/1936
10. Tristan und Isolde: Mild und leise "Liebestod" (4:40)
Conductor Selmar Meyrowitz
Performer Gertrud Bindernagel (Soprano)
Date Written 1859
Ensemble Berlin Philharmonic Orchestra
Recording Date 6/8/1932
11. Die Meistersinger von Nrnberg: Am stillen Herd (3:50)
Conductor Franz Alfred Schmidt
Performer Helge Rosvaenge (Tenor)
Date Written 1867
Ensemble Berlin Deutsche Oper Orchestra
Recording Date 11/14/1932
12. Die Meistersinger von Nrnberg: Was duftet doch der Flieder (5:53)
Conductor Franz Alfred Schmidt
Performer Rudolf Bockelmann (Baritone)
Date Written 1867
Ensemble Berlin Deutsche Oper Orchestra
Recording Date 2/3/1933
13. Die Meistersinger von Nrnberg: Euch macht ihr's leicht (7:42)
Conductor Wilhelm Franz Reuss
Performer Hans Reinmar (Baritone)
Date Written 1862-1867
Ensemble Berlin Philharmonic Orchestra
Recording Date 2/13/1934
14. Die Meistersinger von Nrnberg: Verachtet mir die Meister (6:36)
Conductor Wilhelm Franz Reuss
Performer Hans Reinmar (Baritone)
Date Written 1868
Ensemble Berlin Philharmonic Orchestra
Recording Date 2/13/1934
15. Das Rheingold: Abendlich strahlt der Sonne Auge (3:34)
Conductor Franz Alfred Schmidt
Performer Rudolf Bockelmann (Baritone)
Date Written 1854
Ensemble Berlin Deutsche Oper Orchestra
Recording Date 2/3/1933
16. Die Walkre: Winterstrme wichen dem Wonnemond (13:07)
Conductor Heinz Tietjen
Performer Franz Volker (Tenor)
Maria Mller (Soprano)
Date Written 1856
Ensemble Bayreuth Festival Orchestra
Recording Date 8/24/1936
17. Die Walkre: Leb' wohl..."Farewell and Magic Fire music" (15:39)
Conductor Leo Borchard
Performer Hans Reinmar (Baritone)
Date Written 1856
Ensemble Berlin Philharmonic Orchestra
Recording Date 11/13/1933
18. Siegfried: Nothung! Neidliches Schwert "Forging Song" (3:18)
Conductor Franz Alfred Schmidt
Performer Willy St”rring (Tenor)
Date Written 1871
Ensemble Berlin Philharmonic Orchestra
Recording Studio
Recording Date 3/7/1933
19. Siegfried: Hoho! Schmiede, mein Hammer "Forging Song" (2:37)
Conductor Franz Alfred Schmidt
Performer Willy St”rring (Tenor)
Date Written 1871
Ensemble Berlin Philharmonic Orchestra
Recording Date 3/7/1933
20. Siegfried: Nothung! Neidliches Schwert "Forging Song" (3:18)
Conductor Heinz Tietjen
Performer Max Lorenz (Tenor)
Date Written 1871
Ensemble Bayreuth Festival Orchestra
21. Siegfried: Hoho! Schmiede, mein Hammer "Forging Song" (3:13)
Conductor Heinz Tietjen
Performer Max Lorenz (Tenor)
Erich Zimmermann (Tenor)
Date Written 1871
Ensemble Bayreuth Festival Orchestra
Recording Date 8/26/1936
22. Siegfried: Aber, wie sah meine Mutter... "Forest Murmurs" (9:28)
Conductor Heinz Tietjen
Performer Max Lorenz (Tenor)
Date Written 1871
Ensemble Bayreuth Festival Orchestra
Recording Date 8/20/1936
Notes Siegfried
Notes This selection begins with "Dass der mein Vater nicht ist..."
23. Gotterd„mmerung: Immolation (6:58)
Conductor Franz Alfred Schmidt
Performer Anny Konetzni (Soprano)
Date Written 1874
Ensemble Berlin Philharmonic Orchestra
Recording Date 3/7/1933

WAGNER

79.00 PLN

2 CD:

Nr kat.: 52
Label : Warner Music

Barnes & Noble - Andrew Farach-Colton These historic recordings will provide grist for the mill to those who believe that the Golden Age of Wagner singing is long gone. Bypassing the most famous Wagnerians of the 1930s -- Lauritz Melchoir, Kirsten Flagstad, Helen Traubel, and Friedrich Schorr -- these two well-filled discs still manage to offer the kind of voices and interpretations that one yearns for today. Gertrud Bindernagel, heard in the "Liebestod" from Tristan, may not be the Isolde of one's dreams. But while she does not communicate a sense of overwhelming passion, her voice has that potent combination of beauty and heft that seems to have all but disappeared from the world's opera stages. Then there is Herbert Janssen, whose voice is not particularly beautiful but whose phrasing and seamless legato reach directly into one's heart. One would have to search far and wide to find such a poignant "Wie Todesahnung" Evening Song from Tannhäuser as we get here. Of course, there were singers who had the whole package -- instrument, intelligence, and imagination. Helge Roswaenge is among that rare breed, and even a mere four-minute excerpt, "Am stillen Herd" from Die Meistersinger, is enough to make his Walther into a true and lovable hero. The two generously filled discs present selections from eight of Wagner's operas in more or less chronological order. Teldec's transfers are very fine, and though texts and translations are not provided, there are substantial notes about the recordings and some terrific photos. In fact, the album's main drawback is that it makes today's Wagnerian vocal scene seem so deplorable.