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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
WAGNER
Legendary Wagner Singers Of The 1930s
Galeria okładek
ZamknijGaleria okładek
- 1. Tannh„user: Dich, teure Halle (2:59)
- Conductor Hans Schmidt-Isserstedt
- Performer Hilde Konetzni (Soprano)
- Ensemble Berlin Deutsche Oper Orchestra
- Recording Date 1/18/1937
- 2. Tannhauser: Blick' ich umher in diesem edlen Kreise (4:16)
- Conductor Franz Alfred Schmidt
- Performer Rudolf Bockelmann (Baritone)
- Ensemble Berlin Deutsche Oper Orchestra
- Recording Date 2/3/1933
- 3. Tannh„user: Wohl wusst' ich hier sie im Gebet zu finden (4:03)
- Conductor Selmar Meyrowitz
- Performer Herbert Janssen (Baritone)
- Date Written 1841/1852
- Ensemble Berlin Philharmonic Orchestra
- Recording Date 12/13/1929
- 4. Tannh„user: O, du mein holder Abendstern (4:11)
- Conductor Selmar Meyrowitz
- Performer Herbert Janssen (Baritone)
- Date Written 1845/1861
- Ensemble Berlin Philharmonic Orchestra
- Recording Date 12/13/1929
- 5. Lohengrin: Einsam in trben Tagen "Elsa's dream" (4:15)
- Conductor Walter Lutze
- Performer Maria Reining (Soprano)
- Date Written 1847
- Ensemble Berlin Deutsche Oper Chorus Men
- Recording Date 11/23/1939
- 6. Lohengrin: Mein Herr und Gott, nun ruf' ich dich (4:49)
- Conductor Heinz Tietjen
- Performer Margarete Klose (Alto)
- Maria Mller (Soprano)
- Josef von Manowarda (Bass)
- Jaro Prohaska (Baritone)
- Franz V”lker (Tenor)
- Date Written 1847
- Ensemble Bayreuth Festival Chorus
- Recording Date 8/24/1936
- 7. Lohengrin: Euch Lften, die mein Klagen (3:27)
- Conductor Walter Lutze
- Performer Maria Reining (Soprano)
- Date Written 1847
- Ensemble Berlin Deutsche Oper Orchestra
- Recording Date 11/23/1939
- 8. Lohengrin: Das ssse Lied verhallt...Atmest du nicht mit mir (8:40)
- Conductor Heinz Tietjen
- Performer Franz V”lker (Tenor)
- Maria Mller (Soprano)
- Date Written 1847
- Ensemble Bayreuth Festival Orchestra
- Recording Date 8/29/1936
- 9. Lohengrin: In fernem Land (9:00)
- Conductor Heinz Tietjen
- Performer Franz V”lker (Tenor)
- Date Written 1847
- Ensemble Bayreuth Festival Chorus
- Recording Date 8/24/1936
- 10. Tristan und Isolde: Mild und leise "Liebestod" (4:40)
- Conductor Selmar Meyrowitz
- Performer Gertrud Bindernagel (Soprano)
- Date Written 1859
- Ensemble Berlin Philharmonic Orchestra
- Recording Date 6/8/1932
- 11. Die Meistersinger von Nrnberg: Am stillen Herd (3:50)
- Conductor Franz Alfred Schmidt
- Performer Helge Rosvaenge (Tenor)
- Date Written 1867
- Ensemble Berlin Deutsche Oper Orchestra
- Recording Date 11/14/1932
- 12. Die Meistersinger von Nrnberg: Was duftet doch der Flieder (5:53)
- Conductor Franz Alfred Schmidt
- Performer Rudolf Bockelmann (Baritone)
- Date Written 1867
- Ensemble Berlin Deutsche Oper Orchestra
- Recording Date 2/3/1933
- 13. Die Meistersinger von Nrnberg: Euch macht ihr's leicht (7:42)
- Conductor Wilhelm Franz Reuss
- Performer Hans Reinmar (Baritone)
- Date Written 1862-1867
- Ensemble Berlin Philharmonic Orchestra
- Recording Date 2/13/1934
- 14. Die Meistersinger von Nrnberg: Verachtet mir die Meister (6:36)
- Conductor Wilhelm Franz Reuss
- Performer Hans Reinmar (Baritone)
- Date Written 1868
- Ensemble Berlin Philharmonic Orchestra
- Recording Date 2/13/1934
- 15. Das Rheingold: Abendlich strahlt der Sonne Auge (3:34)
- Conductor Franz Alfred Schmidt
- Performer Rudolf Bockelmann (Baritone)
- Date Written 1854
- Ensemble Berlin Deutsche Oper Orchestra
- Recording Date 2/3/1933
- 16. Die Walkre: Winterstrme wichen dem Wonnemond (13:07)
- Conductor Heinz Tietjen
- Performer Franz Volker (Tenor)
- Maria Mller (Soprano)
- Date Written 1856
- Ensemble Bayreuth Festival Orchestra
- Recording Date 8/24/1936
- 17. Die Walkre: Leb' wohl..."Farewell and Magic Fire music" (15:39)
- Conductor Leo Borchard
- Performer Hans Reinmar (Baritone)
- Date Written 1856
- Ensemble Berlin Philharmonic Orchestra
- Recording Date 11/13/1933
- 18. Siegfried: Nothung! Neidliches Schwert "Forging Song" (3:18)
- Conductor Franz Alfred Schmidt
- Performer Willy St”rring (Tenor)
- Date Written 1871
- Ensemble Berlin Philharmonic Orchestra
- Recording Studio
- Recording Date 3/7/1933
- 19. Siegfried: Hoho! Schmiede, mein Hammer "Forging Song" (2:37)
- Conductor Franz Alfred Schmidt
- Performer Willy St”rring (Tenor)
- Date Written 1871
- Ensemble Berlin Philharmonic Orchestra
- Recording Date 3/7/1933
- 20. Siegfried: Nothung! Neidliches Schwert "Forging Song" (3:18)
- Conductor Heinz Tietjen
- Performer Max Lorenz (Tenor)
- Date Written 1871
- Ensemble Bayreuth Festival Orchestra
- 21. Siegfried: Hoho! Schmiede, mein Hammer "Forging Song" (3:13)
- Conductor Heinz Tietjen
- Performer Max Lorenz (Tenor)
- Erich Zimmermann (Tenor)
- Date Written 1871
- Ensemble Bayreuth Festival Orchestra
- Recording Date 8/26/1936
- 22. Siegfried: Aber, wie sah meine Mutter... "Forest Murmurs" (9:28)
- Conductor Heinz Tietjen
- Performer Max Lorenz (Tenor)
- Date Written 1871
- Ensemble Bayreuth Festival Orchestra
- Recording Date 8/20/1936
- Notes Siegfried
- Notes This selection begins with "Dass der mein Vater nicht ist..."
- 23. Gotterd„mmerung: Immolation (6:58)
- Conductor Franz Alfred Schmidt
- Performer Anny Konetzni (Soprano)
- Date Written 1874
- Ensemble Berlin Philharmonic Orchestra
- Recording Date 3/7/1933
- WAGNER
79.00 PLN
2 CD:
Nr kat.: 52Label : Warner Music
Barnes & Noble - Andrew Farach-Colton These historic recordings will provide grist for the mill to those who believe that the Golden Age of Wagner singing is long gone. Bypassing the most famous Wagnerians of the 1930s -- Lauritz Melchoir, Kirsten Flagstad, Helen Traubel, and Friedrich Schorr -- these two well-filled discs still manage to offer the kind of voices and interpretations that one yearns for today. Gertrud Bindernagel, heard in the "Liebestod" from Tristan, may not be the Isolde of one's dreams. But while she does not communicate a sense of overwhelming passion, her voice has that potent combination of beauty and heft that seems to have all but disappeared from the world's opera stages. Then there is Herbert Janssen, whose voice is not particularly beautiful but whose phrasing and seamless legato reach directly into one's heart. One would have to search far and wide to find such a poignant "Wie Todesahnung" Evening Song from Tannhäuser as we get here. Of course, there were singers who had the whole package -- instrument, intelligence, and imagination. Helge Roswaenge is among that rare breed, and even a mere four-minute excerpt, "Am stillen Herd" from Die Meistersinger, is enough to make his Walther into a true and lovable hero. The two generously filled discs present selections from eight of Wagner's operas in more or less chronological order. Teldec's transfers are very fine, and though texts and translations are not provided, there are substantial notes about the recordings and some terrific photos. In fact, the album's main drawback is that it makes today's Wagnerian vocal scene seem so deplorable.