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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
WAGNER, Choir und Orchester der Bayreuther Festspiele, Wiener Staatsoper, Wilhelm Furtwangler
Le Prime Registrazioni Wagneriane
ZamknijGaleria okładek
- CD 1
- Wagner, Richard
- Wagner, Richard - lyricist(s)
- Tristan und Isolde (excerpts) - 11:14
- 1. Act I: Elend im Sterben lag - 03:20
- 2. Act I: So reihte sie die Mutter - 04:34
- 3. Act I: Muht euch die? - 03:20
- Wagner, Richard
- Wagner, Richard - lyricist(s)
- Tannhauser (excerpts) - 05:27
- 4. Act II: Dich, teure Halle, gruss' ich wieder - 03:37
- 5. Act II: Dir, hohe Liebe, tone … Dir, Gottin der Liebe - 01:50
- 6. Act I: Dir tone Lob! Die Wunder sei'n gepriesen - 02:21
- 7. Act II: Dich, teure Halle, gruss' ich wieder - 03:03
- 8. Act II: Zu deinen Fussen … O stehet auf! - 01:30
- 9. Act II: Seht mich, die Jungfrau … Ich fleh' fur ihn - 02:36
- 10. Act II: Zum Heil den Sundigen zu fuhren - 01:19
- Wagner, Richard
- Wagner, Richard - lyricist(s)
- Die Walkure (excerpts) - 01:08:47
- 11. Act I: Prelude - Wes Herd dies auch sei, hier muss ich rasten - 03:42
- 12. Act I: Labung biet ich - 04:58
- 13. Act I: Weither, traun, kamst du des Wegs - 03:49
- 14. Act I: Auf den Leichen lag sie tot - 01:12
- 15. Act I: Was gleiss dort hell im Glimmerschien - 02:56
- 16. Act I: Ich bin's, hore mich an - 06:48
- 17. Act I: Du bist der Lenz - 02:06
- 18. Act I: Ein Minnetraum gemahnt auch mich - 05:04
- CD 2
- Wagner, Richard
- Wagner, Richard - lyricist(s)
- Die Walkure (excerpts) - 01:08:47
- 1. Act II: Prelude - Nun zaume dein Ross, reisige Maid! - 04:14
- 2. Act II: Verweile, sussestes Weib - 03:58
- 3. Act II: Wo bist du, Siegmund - 01:10
- 4. Act II: Nicht fahr'ich nach Walhall - 08:10
- 5. Act III: Walkurenritt - 04:46
- 6. Act III: Fort denn eile - 04:57
- 7. Act III: Du zeugtest ein edles Geschlecht - 01:56
- 8. Act III: Introduzione orchestrale - 02:03
- 9. Act III: Loge, hor'! Lausche hieher! - 04:00
- 10. Act III: Feuerzauber - 02:58
- Wagner, Richard
- Wagner, Richard - lyricist(s)
- Lohengrin (excerpts) - 30:29
- 11. Act III: Prelude - 02:50
- 12. Act III: Treulich gefuhrt, ziehet dahin - 05:05
- 13. Act III: Das susse Lied verhallt; wir sind allein - 04:21
- 14. Act III: Heil, Konig Heinrich! - 05:29
- 15. Act III: In fernem Land, unnahbar eu'ren Schritten - 04:36
- 16. Act III: Mein lieber Schwan! - 08:08
- Wilhelm Furtwangler - conductor
- Choir und Orchester der Bayreuther Festspiele - orchestra
- Wiener Staatsoper - orchestra
- WAGNER
"Wilhelm Furtwängler (January 25, 1886 – November 30, 1954) was a German conductor and composer. He is widely considered to have been one of the greatest symphonic and operatic conductors of the 20th century. During the 1920s and 1930s, Furtwängler became one of the leading conductors in Europe, as principal conductor of the Berlin Philharmonic from 1922, as principal conductor of the Gewandhaus Orchestra from 1922–26, and as a major guest conductor of other leading orchestras such as the Vienna Philharmonic. He was the leading conductor who remained in Germany during the Second World War, and although not an adherent to the Nazi regime this decision caused controversy for the rest of his life. The extent to which his presence lent prestige to the Third Reich is still debated. Furtwängler's interpretive art is well documented in commercial and off-air recordings and this has led to him being revered by a large number of musicians, critics and record collectors since his death. Furtwängler's conducting style is often contrasted to that of his older contemporary Arturo Toscanini, whose work during this period was also widely documented. Like Toscanini, Furtwängler was a major influence on many later conductors, and his name is often mentioned when discussing their interpretive style. Unlike Toscanini, Furtwängler sought a weighty, less rhythmically strict, more bass-oriented orchestral sound with more conspicuous use of tempo inflections not indicated in the printed score."
