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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
TCHAIKOVSKY, ARENSKY, The Rembrandt Trio
Piano Trios
- The Rembrandt Trio
- TCHAIKOVSKY
- ARENSKY
Late nineteenth century Russian music was dominated by the opera and ballet in the "public" realm and by songs, especially the romance, in the "private" musical world of both the salon and the humbler parlor. The preëminence of lyrical-based forms meant that the more abstract realm of chamber music was there less actively cultivated than in the rest of Europe. Although Tchaikovsky was not the first Russian composer of chamber music, he made a significant contribution to the genre with his three string quartets and the Souvenir de Florence string sextet. Anton Stepanovich Arensky (1861-1906) has been called the "spiritual son" of Tchaikovsky, although his composition studies were pursued with Rimsky-Korsakov in St. Petersburg. Nonetheless, his association with Tchaikovsky in Moscow (Arensky joined the faculty of the Conservatory there as professor of harmony and counterpoint in 1882 and remained for twelve years) brought him deeply under the influence of the elder composer. Arensky's own passive nature and dissolute lifestyle (he was apparently both a drinker and a gambler from his early years) diluted his undoubted creative gifts into those of a 'minor' composer. Dennis D. Rooney © 1990
