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NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
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Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
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GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
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RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
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kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SCHUMANN, SCHUBERT, BENJAMIN, PAGANINI, Hartmut Lindemann
Lindemann plays
- 1 Sonate d-Moll für Violine und Klavier op. 121 Einrichtung der Violastimme: Ziemlich langsam - lebhaft Robert Schumann (1810 - 1856) 11:24
- 2 Sehr lebhaft Robert Schumann (1810 - 1856) 4:26
- 3 Leise, einfach Robert Schumann (1810 - 1856) 5:23
- 4 Bewegt Robert Schumann (1810 - 1856) 7:47
- 5 Sonate a-Moll für Arpeggione und Klavier D 821 Allegro moderato Franz Schubert (1797 - 1828) 8:20
- 6 Adagio Franz Schubert (1797 - 1828) 3:51
- 7 Allegretto Franz Schubert (1797 - 1828) 8:55
- 8 Sonata for viola and pianoforte Elegy. Adagio e mesto Arthur Benjamin (1893 - 1960) 7:23
- 9 Waltz. Quasi improvisatore Arthur Benjamin (1893 - 1960) 6:05
- 10 Toccata. Allegro ma non troppo Arthur Benjamin (1893 - 1960) 4:28
- 11 Caprice no. 9 Allegretto Niccolò Paganini (1782 - 1840) 3:35
- 12 Der Zephir Jenö Hubay (1858 - 1937) Günther Herzfeld 3:37
- Hartmut Lindemann - violin
- SCHUMANN
- SCHUBERT
- BENJAMIN
- PAGANINI
69.00 PLN
CD:
Nr kat.: TAC143Label : Tacet
Hartmut Lindemann very rarely records a CD. This new one is only his fifth in fifteen years, anxiously awaited by his fans. The meticulous care he devotes to the production is all the greater. He structures his programmes as recitals in the old-fashioned sense, varied collections of witty, sensitive and virtuoso pieces; so it is no surprise that when he is asked about his artistic roots he only mentions a few role models from the early twentieth century. He plays the Arpeggione Sonata with guitar accompaniment instead of piano. This is not surprising, as the work was not composed for the viola, but for the arpeggione with piano. And his rendering of Schumann’s D Minor Sonata is most unusual when played on a viola. This recording must surely overshadow many a violin version. The recital is rounded off by a little recording of Hubay’s Zephyr, written in 1982.
Pforzheimer Zeitung (06/30/2008):
The Strad (05/01/2008):
Audiophile Audition (www.audaud.com) (04/28/2008):
Partituren 16/2008 (04/01/2008):
pizzicato (02/01/2008):
www.klassik-heute.de (01/08/2008):
Höchstnote 10 für künstlerische Qualität und Klangqualität
So unverzichtbar sie im Quartett und im Orchester ist – als Solo-Instrument ist die Viola oder Bratsche (abgeleitet von „Viola da braccio“) nach wie vor ein Exot. more...