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BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

SCHUMANN, Hideyo Harada

Fantasia in C major / Kreisleriana, Op.16 / Arabeske, Op.18

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Utwory
Wykonawcy
Twórcy

Hideyo Harada - Schumann, Kreisleriana - Fantasie 01. Fantasie en ut majeur op.17 - I. Durchaus phantastisch une leidenschaftlich vorzutragen (15:04) 02. Fantasie en ut majeur op.17 - II. Mässig. Durchaus energisch (8:40) 03. Fantasie en ut majeur op.17 - III. Langsam getragen. Durchweg leise zu halten (11:33) 04. Kreisleriana op.16 - I. Aussert bewegt (2:50) 05. Kreisleriana op.16 - II. Sehr innig une nicht zu rasch (9:54) 06. Kreisleriana op.16 - III. Sehr aufgeregt (5:15) 07. Kreisleriana op.16 - IV. Sehr langsam (3:36) 08. Kreisleriana op.16 - V. Sehr lebhaft (3:19) 09. Kreisleriana op.16 - VI. Sehr langsam (4:11) 10. Kreisleriana op.16 - VII. Sehr rasch (2:26) 11. Kreisleriana op.16 - VIII. Schnell und spielend (4:20) 12. Arabeske op.18 (7:47)

Hideyo Harada - piano

SCHUMANN

89.00 PLN

SACD Multi-CH:

Nr kat.: AUD92577
Label : Audite

> Following her highly successful recordings on SACD format of works by Grieg (aud. 92.555) and Tchaikovsky and Rachmaninov (aud. 92.569), the Japanese pianist Hideyo Harada presents her third SACD with three key works by Schumann, celebrating the 200th anniversary of his birth. In a coherent interpretation, Schumann’s works offer several mysteries and countless possibilities. With her new recording, Hideyo Harada exhibits a highly personal and carefully considered reading of three major romantic works. She realises with remarkable plasticity Schumann’s pivotal concerns from a crucial period of his artistic development: the wide, quasi-narrative context including stark contrasts and differentiated, filigree details; the characteristically free flow of tempo and the clear contours of the complex course of his music. Relationships to romantic literature (“Kreisleriana”), to the classical legacy of spacious musical design (“Fantasie” in C major) and to abstract visual art (“Arabeske”) accentuate the open horizon under which Schumann saw his music between 1836 and 1838.