Ta strona wykorzystuje mechanizm ciasteczek (cookies) do poprawnego działania. Więcej informacji na stronie Polityka Prywatności. Zamknij.



Double Bass Power

01 Jalousie Composer: Jacob Gade 03:12 02 Kinderszenen Composer: Schumann 03:02 03 Cello Suite No 1 in G Major, Prelude Composer: Bach 02:41 04 Air on a G string Composer: Bach 04:29 05 Liebesleid Composer: Fritz Kreisler 03:35 06 Humoresque in F Major, B138 Composer: Antonín Dvořák 03:15 07 The Swan Composer: Camille Saint-Saëns 02:39 08 Czardas Composer: Vittorio Monti 05:40 09 Après un rêve Composer: Gabriel Fauré 02:54 10 La Serenata Composer: Paolo Tosti 02:12 11 Vocalise Composer: Rachmaninoff 03:18 12 Salut d'amour in E Major Composer: Elgar 03:31 13 Cavatina Composer: Joachim Raff 03:35 14 Smile Composer: Charlie Chaplin 01:24 15 Scherzo Composer: Daniel Goens 03:59 16 Schindler's List Composer: John Williams 03:02 17 Piece en forme de Habanera Composer: Maurice Ravel 02:59 18 Poeme Composer: Ernest Chausson 03:19 19 Mosè Fantasia Composer: Niccolo Paganini 07:38
  • Edgar Meyer - cello
  • BACH
Add to Basket

189.00 PLN

CD Silver:

Nr kat.: HDS301
Label  : ABC Int. Records

ULTRA Analog CD - AAD is a Digital Copy Of The Master Tape - SILVER CD

Cząsteczki srebra są jednolite i mają stały współczynnik odbicia, co zapewnia równą, reprodukcyjną jakość dźwięku. Posrebrzany `CD 6N ma również wyższy współczynnik odbicia niż 24-karatowe złoto. 6N - Czyste Srebro! Najnowsze tłoczenie wersji HD tej płyty wykonano z wykorzystaniem srebra jako warstwy nośnej In demand as both a performer and a composer, Edgar Meyer has formed a role in the music world unlike any other. Hailed by The New Yorker as “…the most remarkable virtuoso in the relatively un-chronicled history of his instrument”, Mr. Meyer’s unparalleled technique and musicianship in combination with his gift for composition have brought him to the fore, where he is appreciated by a vast, varied audience. The masterful skills of Edgar Meyer -- whether as bassist or composer; in bluegrass, classical, or a mix of genres -- earned him a MacArthur "genius grant" in 2002, but that is not the only accomplishment of this remarkable musician. Meyer always credits his father, a high-school string music director, as his first teacher, and picked up his first real bass -- which had previously served as a flower planter -- at the age of five. He would go on to study at Indiana University and the Aspen Music School with Stuart Stankey and James Buswell. It was Stankey, he says, that showed him how to make the double bass his own. And it was in Aspen where Meyer connected with Béla Fleck. That willingness to explore and create new and distinctive styles, as well as his musicianship, is what has always drawn other musicians and audiences to Meyer's music. At the same time, Meyer became recognized among traditional Classical circles as a rare virtuoso of the small and ignored double bass repertoire, and earned an Avery Fisher Career Grant in 1994. Meyer's own music is an organic combination of written and improvised sections, fusing folk and jazz and classical styles into something new. Professional collaborations bring out the best of his work, with album after album garnering critical praise. .Zapraszamy