Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SCHUBERT, The Florestan Trio
Piano Trio D929
- The Florestan Trio - group
- SCHUBERT
The Florestan Trio follow up their hugely successful release of Schubert's B flat trio (CDA67273) with this stunning performance of the E flat trio. In an article in The Guardian recently, pianist Susan Tomes talked of the recording sessions, during which there were many discussions about performing "the most monumental work in our repertoire". The result, according to Ms Tomes, is a portrait of the Florestans painting a portrait of Schubert. Schubert dedicated the work to 'nobody save those who find pleasure in it'. The first movement is strongly rhythmic, the second is infused with an emotive Swedish folksong melody. The tempo of this movement was determined some twenty years ago, when it occurred to Ms Tomes during a winter walk that her footsteps trudging through the snow were exactly the right tempo for the opening chords. The Scherzo incorporates a caressing waltz and a lusty peasant dance. The work's length proved challenging for publishers and so Schubert consented to cut 98 bars from the final movement. The Florestan Trio offer both versions on this disc, providing a rare chance to hear the original, much longer version in all its glory.
