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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
SCHUBERT, SCHUMANN, BRAHMS, Lotte Lehmann
Lieder Recordings, vol. 2
ZamknijGaleria okładek
- Lotte Lehmann - soprano
- SCHUBERT
- SCHUMANN
- BRAHMS
Göran Forsling MusicWeb International, June 2007 "This volume follows on where volume 1 ended: in the middle of the recording session on 16 October 1937. In toto 18 titles were recorded on that occasion, evidence of Lotte Lehmann’s extraordinary stamina. There is no audible decline in her tone even in the last numbers. The highpoint is Brahms’ Botschaft where she challenges Hans Hotter’s famous reading from the mid-1950s. On the whole her Brahms is superb. Mein Mädel hat einen Rosenmund is initially sung with heavier accents than Elisabeth Schwarzkopf. The latter recorded all 42 solo songs from Deutsche Volkslieder together with Dietrich Fischer-Dieskau, a set that has been my touchstone recording for forty years. Then Lehmann lightens the tone and is as delightful as her heiress." "This disc is a must for every lover of German Lieder and the only possible hang-up is the quality of the recordings. Mark Obert-Thorn has done what it is possible to achieve to make them as listen-friendly as can be. In any event one soon forgets such a peripheral detail won over by the all-conquering singing."