Logowanie

Najbardziej analogowe brzmienie na CD - XRCD!

BEETHOVEN, GERSHWIN, PIAZZOLLA, PAGANINI, KREISLER, Salvatore Accardo, Laura Manzini, Orchestra da Camera Italiana
The Master

PREMIERA

ELGAR, RACHMANINOV, CHOPIN, WIENIAWSKI, Narimichi Kawabata
On Wings of Song

TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1

KWINTESENCJA BRZMIENIA ANALOGOWEGO

BEETHOVEN, David Oistrakh, Lev Oborin
Violin Sonatas Nos. 5 - 'Spring' & 9 'Kreuzer'

MOZART, Orchestre de Chambre, Jean-Francois Paillard
Serenade No. 9 'Posthorn' / Serenade No. 6 'Serenata Notturna'

MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Tsuyoshi Yamamoto Trio, Koji Moriyama
Hida-Takayama Jazz Sesiion

TCHAIKOVSKY, RIMSKY-KORSAKOV, Oscar Shumsky, Kiril Kondrashin, RCA Victor Orchestra
Capriccio italien, Op.45 / Capriccio espagnol,Op.34

BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5

KWINTESENCJA BRZMIENIA ANALOGOWEGO

Muzyczne Menu

LINN Records - Delikatesy!

BACH, Palladian Ensemble
Trio Sonatas

VICTORIA, ALLEGRI, PALESTRINA, LASSUS, DESPREZ, Magnificat, Philip Cave
The Golden Age

MONTEVERDI, CACCINI, D'INDIA, Jill Feldman, Nigel North
Udite Amanti: 17th Century Italian Love Songs

Martin Taylor
Portraits with special guest Chet Atkins

David Newton
Victim of Circumstance

Winylowy niezbędnik

kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio

wirtuozeria, przestrzeń i głębia, mikrokosmos!

finezja, lekkość, oczarowanie

rzetelność, konsekwencja i świeżość

perfekcja, elegancja, wirtuozeria

Osobowości

BEETHOVEN, Gidon Kremer, Martha Argerich
Violin Sonatas Nos. 6-8

RACHMANINOV, SCHUBERT, BRAHMS, MASSENET, Virtuosi, Maxim Vengerov
Vengerov & Virtuosi

VIVALDI, Rachel Podger, Arte Dei Suonatori
La Stravaganza - 12 Violin Concertos

TCHAIKOVSKY, Valery Gergiev, Wiener Symphoniker
Symphony No. 5

MENDELSSOHN, DRIGO, ELGAR, GARDNER, DEBUSSY, Alfredo Campoli
Encores Vol. 2

SCHUBERT, Kun-Woo Paik
Impromptus, Drei Klavierstucke, Moments Musicaux

reedycja ultra audiofiska!

TELEMANN, Arthur Grumiaux
Fantasie per violino solo

TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6

Nagranie EKSTREMALNIE audiofilskie

SCHUBERT, SCHUMANN, BRAHMS, Lotte Lehmann

Lieder Recordings, vol. 2

Galeria okładek

Brahms: Botschaft, Op. 47 No. 1 Das Mädchen spricht, Op. 107 No. 3 Volkslieder: No. 25 Mein Mädel hat einen Rosenmund (No. 25 from Deutsche Volkslieder, WoO 33) Schubert: Winterreise D911 (excerpts) Schumann: Alte Laute, Op. 35, No. 12 Er und sie, Op. 78 No. 2 So wahr die Sonne scheinet, Op. 37, No. 12 Unterm Fenster, Op. 34 No. 3 Familien-Gemälde, Op. 34 No. 4 Ich denke dein, Op. 78, No. 3 Sjöberg: Tonerna (text: Erik Gustaf Geijer) Wolf, H: Gebet; Nun lass uns Frieden schliessen Frühling übers Jahr (No. 28 from Goethe-Lieder) Auf ein altes Bild (No. 23 from Mörike-Lieder) In der Frühe (No. 24 from Mörike-Lieder) Auch kleine Dinge (No. 1 from Italienisches Liederbuch) Und willst du deinen Liebsten sterben sehen (No. 17 from Italienisches Liederbuch) Peregrina I (No. 33 from Mörike-Lieder) Der Knabe und das Immlein (No. 2 from Mörike-Lieder) Heimweh (No. 12 from Eichendorff-Lieder)

Lotte Lehmann - soprano

SCHUBERT
SCHUMANN
BRAHMS

Produkt w tej chwili niedostępny.

Göran Forsling MusicWeb International, June 2007 "This volume follows on where volume 1 ended: in the middle of the recording session on 16 October 1937. In toto 18 titles were recorded on that occasion, evidence of Lotte Lehmann’s extraordinary stamina. There is no audible decline in her tone even in the last numbers. The highpoint is Brahms’ Botschaft where she challenges Hans Hotter’s famous reading from the mid-1950s. On the whole her Brahms is superb. Mein Mädel hat einen Rosenmund is initially sung with heavier accents than Elisabeth Schwarzkopf. The latter recorded all 42 solo songs from Deutsche Volkslieder together with Dietrich Fischer-Dieskau, a set that has been my touchstone recording for forty years. Then Lehmann lightens the tone and is as delightful as her heiress." "This disc is a must for every lover of German Lieder and the only possible hang-up is the quality of the recordings. Mark Obert-Thorn has done what it is possible to achieve to make them as listen-friendly as can be. In any event one soon forgets such a peripheral detail won over by the all-conquering singing."