Ta strona wykorzystuje mechanizm ciasteczek (cookies) do poprawnego działania. Więcej informacji na stronie Polityka Prywatności. Zamknij.

Logowanie

SARASATE, Aaron Rosand, Symphony Orchestra of the Southwest Germany Radio, Baden-Baden, Rolf Reinhardt

plays Sarasate - Carmen Fantasy / Zigeunerweisen / Spanish Dances / Navarra

plays Sarasate - Carmen Fantasy / Zigeunerweisen / Spanish Dances / Navarra  image
Galeria okładek

ZamknijGaleria okładek

Carmen Fantasy for Violin and Orchestra, Op. 25 Zigeunerweisen, Op. 20 Spanish Dances: No.1, Op.21: 'Malaguena' Spanish Dances: No.2, Op.21: 'Habannera' Spanish Dances: No.3, Op.22: 'Romanza Andaluza' Spanish Dances: No.4, Op.22: 'Jota Navarra' Spanish Dances: No.5, Op.23: 'Playera' Spanish Dances: No.6, Op.23: 'Zapateado' Spanish Dances: No.7, Op.26 Spanish Dances: No.8, Op.26 Navarra for 2 Violins and Piano, Op. 33 Caprice basque, Op. 24
  • Aaron Rosand - violin
  • Symphony Orchestra of the Southwest Germany Radio, Baden-Baden - orchestra
  • Rolf Reinhardt - conductor
  • SARASATE
Add to Basket

79.00 PLN

CD:

Nr kat.: ACD8160
Label  : VOX Classics (USA)

Aaron Rosand, Violin Eileen Flissler, Piano Rolf Reinhardt, Conductor Southwest German Radio Symphony Orchestra Long awaited Sarasate by a master violinist. Rosand infuses these dances with smoldering glances and rhythmic dash. I had heard snippets of these performances over the years (from long-deleted LPs), but their full revival has surpassed all my expectations. The pieces with orchestra, recorded in 1959, have lost some bloom. Comparing the Fantasy with Perlman's London Symphony account points up Rosand's relative lack of support. Still, the Baden-Baden forces hang with Rosand's even brisker tempi and play with elan. I found the Zigeunerweisen a little cloying – maybe I'm just not used to the phrasing he employs. Everywhere else, though, I was completely convinced that Rosand has no peer in his realization of Sarasate's dances; here is the perfect alloy of technique and interpretive insight. The "Jota Navarra" is a joy, and the "Navarra" for two violins (Rosand on both violins) evokes a throng of dancers. In the more familiar works, the "Habanera" and the "Zapateado" – those staples of encore albums and conservatory hotshots – Rosand offers fresh insights, translating each technical hairpin into a memorable, musical gesture. https://www.classical.net/music/recs/reviews/v/vox08160a.php