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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
SAMARTINI, TORELLI, CORELLI, CHARPENTIER, LALANDE, Bernard Labadie and Les Violons Du Roy
Broque Christmas Concerti
- Lalande, Sammartini, Torelli, Pez, Corelli, Charpentie - Les Violons du Roy - Bernard Labadie - Broque Christmas Concerti - MIX
- Michel Richard de Lalande
- 1. Simphonies des noëls: Andante 1:17
- 2. Simphonies des noëls: Trio 2:57
- 3. Simphonies des noëls: Simphonie 1:35
- Giuseppe Samartini
- 4. Concerto grosso in G minor, Op 5, No. 6: Spirtoso - Allegro - Spiritoso 3:50
- 5. Concerto grosso in G minor, Op 5, No. 6: Rondo - Allegro moderato e grazioso 6:05
- 6. Concerto grosso in G minor, Op 5, No. 6: Pasrorale - Andante sostenuto 4:02
- Giuseppe Torelli
- 7. Concerto a quattro Op. 8, No. 6 in forma di Pastorale per il Santissimo Natale: Grave - Vivace 2:07
- 8. Concerto a quattro Op. 8, No. 6 in forma di Pastorale per il Santissimo Natale: Largo 2:02
- 9. Concerto a quattro Op. 8, No. 6 in forma di Pastorale per il Santissimo Natale 1:43
- Johamm Christoph Pez
- 10. Concerto pastorale in F Major: Pastorale 2:13
- 11. Concerto pastorale in F Major: Aria 1:22
- 12. Concerto pastorale in F Major: Aria 2:04
- 13. Concerto pastorale in F Major: Aria - Pastorale 2:12
- 14. Concerto pastorale in F Major: Minuet - Trio 2:53
- 15. Concerto pastorale in F Major: Passacaglia 5:38
- 16. Concerto pastorale in F Major: Aria - Presto 1:28
- Arcangelo Corelli
- 17. Concerto grosso en G Minor, Op. 6, No. 8 Fatto per la notte di natale: Vivace - Grave 1:11
- 18. Concerto grosso en G Minor, Op. 6, No. 8 Fatto per la notte di natale: Allegro 2:17
- 19. Concerto grosso en G Minor, Op. 6, No. 8 Fatto per la notte di natale: Adagio - Allegro - Adagio 3:01
- 20. Concerto grosso en G Minor, Op. 6, No. 8 Fatto per la notte di natale 0:58
- 21. Concerto grosso en G Minor, Op. 6, No. 8 Fatto per la notte di natale: Allegro - Pastrorale ad libitum 5:50
- Marc-Antoine Charprntier
- 22. Noëls pour les instruments: Les bourgeois de Châtre 1:33
- 23. Noëls pour les instruments: Joseph est bien marié 1:00
- 24. Noëls pour les instruments: Or nous dites, Marie 2:09
- 25. Noëls pour les instruments: Laissez paître vos bêtes 0:59
- 26. Noëls pour les instruments: Vous qui dêsirez sans fin 2:46
- 27. Noëls pour les instruments: À la venue de Noël 1:10
- 28. Noëls pour les instruments: O Créateur 2:27
- 29. Noëls pour les instruments: Une jeune pucelle 1:19
- 30. Noëls pour les instruments: Où s'en vont ces gais bergers? 1:20
- Bernard Labadie and Les Violons Du Roy - orchestra
- SAMARTINI
- TORELLI
- CORELLI
- CHARPENTIER
- LALANDE
NAGRANIE REFERENCYJNE - 20bit - FIBER OPTIC DISK
In the Baroque, the arousal of the affections - the discrete states of emotions such as fear, love, hate, anger and joy - was considered the principal objective of poetry and music. Whether solo or ensemble, instrumental music of the late Baroque emerged in three principal forms: (1) the suite, a loosely organized series of stylized dance movements (a very popular form for keyboard pieces); (2) the sonata, a chamber work for one or more soloists (i.e, the trio sonata); and (3) the concerto (from the Italian conserere, "to agree, to get together" or the Latin concertare - to fight or struggle). - J. Knighten Smit
