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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
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Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
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Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
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Extended High Definition Mastering 2
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Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
ROSSINI, Nino Sanzogno
Elisabetta, Regina Di Inghilterra
- Nino Sanzogno - conductor
- ROSSINI
164.00 PLN
2 CD:
Nr kat.: MCD 905.30Label : MYTO Records
Palermo 1970
>>> Większa okładka A <<< "Elisabetta, regina d'Inghilterra, (Elizabeth, Queen of England) is a dramma per musica or opera in two acts by Gioachino Rossini to a libretto by Giovanni Schmidt, from the play Il paggio di Leicester (Leicester's Page) by Carlo Federici, which itself "was derived from a novel The Recess (1785) by Sophia Lee." It was premiered at the Teatro San Carlo in Naples on 4 October 1815 and was the first of nine operas which Rossini wrote for the San Carlo, and one of eighteen operas which he wrote during the time he spent in Naples. Rossini took melodies from other operas to compose Elisabetta, including the overture, first written for Aureliano in Palmira, which is famous as the overture to The Barber of Seville. As Holden notes, with the re-uses of earlier music, "it is as if Rossini wished to present himself to the Neapolitan public by offerng a selection of the best music from operas unlikely to have been revived in Naples." Some of Elisabetta 's music was recycled in later operas and a part of Elisabetta's first aria was re-used by Rossini four months later in Rosina's aria "Una voce poco fa" in the opera The Barber of Seville."