In the tradition of labels wholly devoted to vinyl re-pressing, Sam Records puts out a product of top-notch musical and visual quality.
While so many labels confine themselves to re-mastering digital versions and reproducing the original artwork by simply scanning the cover, Sam Records uses only master tapes and re-creates record covers using the original photographs, paintings and/or drawings. That generally involves some painstaking detective work, so it’s a job for conscientious professionals, not corner-cutting amateurs.
Sam Records' re-pressings pay tribute to the people – the musicians, producers, labels, photographers, graphic artists and sound engineers – who created the original recordings that have become enduring legends of 1950s and ’60s jazz.
Reissue using the original photos from Jean-Pierre Leloir, remastered from the original master tapes. Limited edition 750 copies — 180-gram vinyl pressed by Pallas in Germany.
Front and back covers are identical to the originals, made using original negatives or prints if still available.
Comes with a large-sized high-quality print of a photograph from the archives of Jean-Pierre Leloir.
Ronnell Bright was in Paris for just a simple stopover during the European tour that Sarah Vaughan was doing to represent the United States at the Universal Exhibition in Brussels.
This rare date was cut at Studio des Dames in Paris on June 5, 1958 for the French Polydor label and it’s a stripped-down trio date with a nicely relaxed feel – one that has Ronnell Bright really opening up on the keys, in ways you don’t always hear on his material with singers.
This session took place in a certain euphoria on Thursday of Corpus Christi, and you can feel the joy and dynamics in music.
Musicians:
Ronnell Bright, piano
Richard Davis, bass
Art Morgan, drums
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