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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
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CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
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DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
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Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
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GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
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RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
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Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
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R.E.M.
Moinster
199.00 PLN
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Monster Review by Stephen Thomas Erlewine Monster is indeed R.E.M.'s long-promised "rock" album; it just doesn't rock in the way one might expect. Instead of R.E.M.'s trademark anthemic bashers, Monster offers a set of murky sludge, powered by the heavily distorted and delayed guitar of Peter Buck. Michael Stipe's vocals have been pushed to the back of the mix, along with Bill Berry's drums, which accentuates the muscular pulse of Buck's chords. From the androgynous sleaze of "Crush With Eyeliner" to the subtle, Eastern-tinged menace of "You," most of the album sounds dense, dirty, and grimy, which makes the punchy guitars of "What's the Frequency, Kenneth?" and the warped soul of "Tongue" all the more distinctive. Monster doesn't have the conceptual unity or consistently brilliant songwriting of Automatic for the People, but it does offer a wide range of sonic textures that have never been heard on an R.E.M. album before.
 Najnowszy (2016) format płyt CD, pozwalający w stopniu dotychczas niespotykanym przekazywać oryginalne, naturalne brzmienie zapisu studyjnego. Płyty UHQCD do odtworzenia we wszystkich typach czytników CD oraz DVD. Format opracowało znane japońskie laboratorium rekonstrukcji i masteringu dźwięku Memory-Tech Co., Ltd. |
