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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Ray Charles, David Newman 'Fathead'
Ray Charles Presents David Newman: Fathead
High Quality Pure Analogue 180g Vinyl LP! It is easy to believe that both jazz and rhythm 'n' blues fans waited longingly for this Atlantic LP. For Ray Charles, later called the ‘King of Soul', the Ertegun brothers, highly acclaimed producers in the early days of LPs in these particular genres, were the catalysts for his creativity. In Charles's band at the time of his first live recording, in Newport in 1958, the head of the red-hot wind group was a certain David "Fathead" Newman. The eight numbers on the LP with its early, green stereo label all came from the repertoire of the Ray Charles Band, whereby they are enhanced here through long improvisations without vocals and gain in piquancy and a real jazz feeling. Luckily there was no commercial pressure on Ray Charles so that he could concentrate completely on his piano playing and perform outstanding solos. But the blues were not neglected either: Fathead plays in the minor key. And one can only agree with the author of the liner notes when he picks out "Hard Times" as being the absolute highlight on the LP. But it must be added that the other numbers are no less good. And that's why the purchase of this re-release of an early Atlantic recording is highly recommended.
