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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
RACHMANINOV, Sviatoslav Richter, Stanislaw Wislocki
Piano Concerto No.2 / 6 Preludes
ZamknijGaleria okładek
- Sviatoslav Richter - Rachmaninov: Piano Concerto No.2
- 01. Rachmaninov: Moderato (11:13)
- 02. Rachmaninov: Adagio sostenuto (11:54)
- 03. Rachmaninov: Allegro scherzando (11:43)
- 04. 6 Preludes
- - Nr. 12 C-dur op. 32
- - Nr. 13 b-moll op.32 Nr. 2
- - Nr 3 B-dur op. 23
- - Nr 5 D-dur op. 23 Nr. 4
- - Nr 6 g-moll op. 23
- - Nr 8 c-moll op. 23 Nr. 7
- na płycie kompaktowej, ponadto:
- Tchaikovsky - Piano Concerto No. 1 - Herert von Karajan
- Sviatoslav Richter - piano
- Stanislaw Wislocki - conductor
- Warsaw Philharmonic Orchestra - orchestra
- RACHMANINOV
...szalenie eksytująca była gra pianisty - pisał recenzent brytyjski.
It was this record that first introduced me to Richter's playing and it quite bowled me over. Not only for its virtuosity, which is remarkable enough, but for the range of colour in the playing and for the imagination of the interpretation of the work. Some readers may think there is too much imagination and that some points of interpretation are excessive: certainly it is not just another performance of an over-played concerto. Some tempos are very fast indeed, notably that for the start of the finale—yet the playing is breathtaking and immaculate; and if some sections seem unusually slow, that impression is probably emphasized by surrounding fast speeds and the overall impression is totally convincing. There are a number of other smaller, personal touches of interpretation, like the broadening of a few chords here to make them emphatic, a ritenuto there that seems excessive. All in all, however, I still find it represents a valid personal view of a very great artist. The selection of Preludes, less well known than they ought to be, gave me unalloyed pleasure.
The recording is what I remember as typical DGG (as it was then), the orchestra rather lacking in brightly-lit colour. The piano, however, comes off very well, especially in the brilliance of its upper register. Whatever your views about the interpretation, you are likely to respond to this often wildly exciting playing. T.H.
źródło: https://www.gramophone.net/Issue/Page/February%201982/
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