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RACHMANINOV, Howard Shelley, Hilary Macnamara

Music for two pianos

  • Suite No 1 'Fantaisie-tableaux', Op 5
  • 1 Movement 1: Barcarolle [7'21]
  • 2 Movement 2: La nuit … L'amour [6'19]
  • 3 Movement 3: Les larmes [5'15]
  • 4 Movement 4: Pâques [3'02]
  • Suite No 2 Op 17
  • 5 Movement 1: Introduction. Alla marcia [4'07]
  • 6 Movement 2: Valse. Presto [6'12]
  • 7 Movement 3: Romance. Andantino [6'29]
  • 8 Movement 4: Tarantelle. Presto [6'02]
  • Symphonic Dances Op 45
  • 9 Movement 1: Non allegro – Lento – Tempo 1 [10'41]
  • 10 Movement 2: Andante con moto. Tempo di valse [8'20]
  • 11 Movement 3: Lento assai – Allegro vivace – Lento assai – Allegro vivace [12'27]
  • 1: Suite No 1 'Fantaisie-tableaux', Op 5 (Rachmaninov) - Movement 1: Barcarolle 2: Suite No 1 'Fantaisie-tableaux', Op 5 (Rachmaninov) - Movement 2: La nuit … L'amour 3: Suite No 1 'Fantaisie-tableaux', Op 5 (Rachmaninov) - Movement 3: Les larmes 4: Suite No 1 'Fantaisie-tableaux', Op 5 (Rachmaninov) - Movement 4: Pâques 5: Suite No 2 Op 17 (Rachmaninov) - Movement 1: Introduction. Alla marcia 6: Suite No 2 Op 17 (Rachmaninov) - Movement 2: Valse. Presto 7: Suite No 2 Op 17 (Rachmaninov) - Movement 3: Romance. Andantino 8: Suite No 2 Op 17 (Rachmaninov) - Movement 4: Tarantelle. Presto 9: Symphonic Dances Op 45 (Rachmaninov) - Movement 1: Non allegro – Lento – Tempo 1 10: Symphonic Dances Op 45 (Rachmaninov) - Movement 2: Andante con moto. Tempo di valse 11: Symphonic Dances Op 45 (Rachmaninov) - Movement 3: Lento assai – Allegro vivace – Lento assai – Allegro vivace
  • Howard Shelley - piano
  • Hilary Macnamara - piano
  • RACHMANINOV

Produkt w tej chwili niedostępny.

PREIS DER DEUTSCHEN SCHALLPLATTENKRITIK 'First-rate playing, splendid sound, value for the money' (American Record Guide) 'A worthy continuation of Hyperion's Rachmaninov series' (BBC Music Magazine) 'Their readings are superb, and Hyperion has captured them with crystal clarity' (Classic CD) 'Shelley and Macnamara find the necessary eloquence to bring life to the descriptive passages of the First Suite, and a real driving energy for the Second. The Symphonic Dances works beautifully for two pianos, and is played with consistently compelling sensitivity and flair' (Classic FM Magazine)