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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
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GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
RACHMANINOV, Daniil Trifonov, Yannick Nezet-Seguin, Philadelphia Orchestra
Destination Rachamninov - Departure - Piano Concertos 2 & 4
Destination Rachmaninov: Departure
Piano Concerto no. 2 -
01. I. Moderato - Più Vivo - Maestoso (Alla Marcia) - Moderato (11:14)
02. II. Adagio Sostenuto (11:47)
03. III. Allegro Scherzando - Moderato - Allegro Scherzando - Presto - Moderato - Allegro Scherzando - Ala Breve. Agitato - Presto - Maestoso - Risoluto (12:16)
Suite from J. S. Bach's Partita for Violin, BWV 1006, piano transcription -
04. I. Preludio. Non Allegro (3:48)
05. II. Gavotte (2:45)
06. III. Gigue (1:42)
Piano Concerto no. 4 -
07. I. Allegro Vivace (10:06)
08. II. Largo (7:05)
09. III. Allegro Vivace (9:24)
- Daniil Trifonov - piano
- Yannick Nezet-Seguin - conductor
- Philadelphia Orchestra - orchestra
- RACHMANINOV
199.00 PLN
2 LP-180G 33rpm:
Nr kat.: 0028948353620Label : Universal
Trifonov is wonderfully alive to [the Fourth’s] mercurial piano writing, achieving astonishing crystalline delicacy in the elaborate filigree passage work and negotiating unexpected juxtapositions of mood…Nézet-Séguin and the superbly responsive Philadelphia Orchestra follow the soloist’s every interpretative nuance.
Trifonov is wonderfully alive to [the Fourth’s] mercurial piano writing, achieving astonishing crystalline delicacy in the elaborate filigree passage work and negotiating unexpected juxtapositions of mood…Nézet-Séguin and the superbly responsive Philadelphia Orchestra follow the soloist’s every interpretative nuance.
November 2018
Trifonov is a gifted pianist, the Philadelphians have the music in their blood and Nézet-Séguin has an eye for detail and careful phrasing…Overall, this is another fine, well-recorded addition to the lengthy discography but one which neither astonished nor moved me.
12th October 2018
What can one say about what must be one of the more frequently performed works in the concerto repertoire? Well, if you’re Daniil Trifonov then the answer is “quite a lot”...both Trifonov and Nézet-Séguin seem pleasingly keen to avoid any hint of wallowing self-indulgence, and what comes across is the amount of detail there is, not just in the piano part but also in the orchestral writing.
21st October 2018
From the huge sonority of the C minor concerto’s opening chords, the pianist shows that he means business, but it is the astounding delicacy of his virtuosity in the piu vivo section — recalling Horowitz — that marks him out as a soloist of the first rank in this work. He is no less commanding in the more “jazzy, mechanical” (Trifonov’s words) G minor concerto.
25th October 2018
These are performances of such musical awareness, tonal variety and dazzling virtuosity that even the Second, one of the most popular of all piano concertos, has every trace of routine and over-familiarity stripped away. Trifonov has the gift of making something compelling out of the least attention-seeking piano lines...the woodwind playing is superb, but it’s the simple eloquence of Trifonov’s playing that constantly draws the ear.