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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
PUCCINI, Maria Callas, Renato Cioni, Tito Gobbi, Royal Opera House, Covent Garden, Carlo Felice Cillario
Tosca
49.00 PLN
2 CD:
Nr kat.: OPD1142Label : Opera d'Oro
This performance--one of several during January, 1964--marked Maria Callas' return to the stage after a period of vocal re-study and hard work. To be sure there are problems--the very highest notes tend to go wildly astray, flapping in the wind like flags, losing and regaining the pitch. But how many of them are there? 10? 20? Taken in context, it's a mere handful (albeit a highly audible handful), and the performance as a whole does not suffer from them. In short, Callas is otherwise brilliant, acting with her voice to beat the band, and presenting us with a great portrait of Tosca the diva and Tosca the woman. Tito Gobbi, her frequent partner in this opera, is stunning as Scarpia, the incarnation of evil. Renato Cioni's Cavaradossi is unsubtle and forgettable and he mewls enough to make himself a nuisance. Carlo Cillario's leadership is tight and sympathetic, and this release is welcome--even if you already own a Callas Tosca, with her in fresher voice. Maria Callas (Soprano), Renato Cioni (Tenor), Tito Gobbi (Baritone), Victor Godfrey (Bass), Eric Garrett (Bass), Robert Bowman (Tenor), Dennis Wicks (Bass), David Sellar (Boy Alto), Edgard Boniface (Bass) Conductor: Carlo Felice Cillario Royal Opera House Covent Garden Orchestra, Royal Opera House Covent Garden Chorus Date of Recording: 01/24/1964 Venue: Live Royal Opera House, Covent Garden, London