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PROKOFIEV, Boston Symphony Orchestra, Erich Leinsdorf

Romeo And Juliet - Ballet In 4 Acts / Lieutenant Kije - Suite

  • 1. Romeo and Juliet, ballet in 4 acts, Op. 64: 1. Introduction (2:47)
  • 2. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 1. 10. Juliet the Young Girl (2:54)
  • 3. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 1. 12. Masks (2:33)
  • 4. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 1. 13. Dance of the Knights (2:16)
  • 5. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 1. 18. Gavotte (The guests leave) (3:54)
  • 6. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 1. 20. Romeo's Variation (1:39)
  • 7. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 1. 21. Love Dance (6:01)
  • 8. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 2. 24. Dance of the Five Couples (3:54)
  • 9. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 2. 30. The People Continue to make Merry (2:09)
  • 10. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 2. 35. Romeo Decides to Avenge Mercutio's Death (2:12)
  • 11. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 2. 36. Finale (1:54)
  • 12. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 3. 39. The Last Farewell (5:19)
  • 13. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 3. 48. Aubade (2:21)
  • 14. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 3. 49. Dance of the Girls with Lilies (1:56)
  • 15. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 3. 37. Introduction (1:03)
  • 16. Romeo and Juliet, ballet in 4 acts, Op. 64: Act 3. 51. Juliet's Funeral (9:23)
  • 17. Lieutenant Kijé, film score and suite for orchestra, Op. 60: The Birth of Kijé (19:00)
  • Boston Symphony Orchestra - orchestra
  • Erich Leinsdorf - conductor
  • PROKOFIEV

Produkt w tej chwili niedostępny.

"The third in the Erich Leinsdorf survey of Prokofiev scores, these inscriptions date 13 February 1967 (Romeo) and 22 April 1968 (Lt. Kije). Remarkable for their fluency and orchestral sheen, the recordings review music dear to the Boston Symphony, especially as Koussevitzky, Munch, and Leinsdorf each made passes at the most luxurious of all ballet scores. It always impresses me how Prokofiev manages his own, idiosyncratic musical syntax while absolutely conveying the antique, Renaissance atmosphere of Verona. Leinsdorf selects sixteen numbers from the ballet according to his own taste and sense for dramatic structure, and each percolates with rhythm and color." - Gary Lemco