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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
PRIMA VOCE, Herbert Ernst Groh
Herbert Ernst Groh 1931-1937
Galeria okładek
ZamknijGaleria okładek
Opera Arias (Tenor): Groh, Herbert Ernst - MOZART, W.A. / ROSSINI, G. / ADAM, A. / THOMAS, A. (Herbert Ernst Groh in Opera, Vol. 1) (1931-1937) 1:17:01
Die Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384, Act I: Oh, wie angstlich 4:05
Die Zauberflote (The Magic Flute), K. 620, Act I: Arie: Dies Bildnis ist bezaubernd schon 3:43
Semiramide, Act I: Ah, dove il cimento (Sung in German) 2:49
Le postillon de Lonjumeau, Act I: Freunde, vernehmet die Geschichte 2:41
Mignon, Leb' wohl, Mignon! Wir scheiden 2:57
Alessandro Stradella, Act III: Finale: Wie freundlich strahlt der Tag 6:08
Martha, Act III: Ach so fromm 2:49
Les contes d'Hoffmann (The Tales of Hoffmann): O Dieu, de quelle ivresse (Sung in German) 2:39
Les contes d'Hoffmann, Act III: Horst du es tonen mit susser Melodie 3:18
Les pecheurs de perles (The Pearl Fishers), Act I: Je crois entendre encore, cache sous les palmiers (Sung in German) 3:14
La traviata (excerpts) (Sung in German)
Verdi, Giuseppe-Classical Composer | Piave, Francesco Maria-Lyricist | Groh, Herbert Ernst-tenor | Alpar, Gitta-soprano | Studio orchestra-Orchestra | Weissmann, Frieder-Conductor
Act I: Un di, felice, eterea 2:59
Act III: Parigi, o cara 3:09
La forza del destino, Act III: Solenne in quest ora 3:44
Aida, Act I: Celeste Aida (Sung in German) 3:17
Der fliegende Hollander (The Flying Dutchman), Act I: Mit Gewitter und Sturm aus fernem Meer 3:01
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg), Act III: Morgenlich leuchtend 3:33
Cavalleria rusticana (excerpts) (Sung in German)
Mascagni, Pietro-Classical Composer | Targioni-Tozzetti, Giovanni-Lyricist | Menasci, Guido-Lyricist | Groh, Herbert Ernst-tenor | Berlin Stadtischen Opera Orchestra-Orchestra | Dobrint, Otto-Conductor
O Lola ch'ai di latti fior di spino, "Siciliana" 3:21
Intanto amici, qua 2:13
Pagliacci: Oh Colombine, hor' den treuen Harlekin 3:04
Don Giovanni, K. 527, Act II: Aria: Vedrai, carino 2:56
Madama Butterfly: Die prunkende Schleife … Madchen in deinen Augen …s' ist schon was Wahres dran 5:52
Der Rosenkavalier, Op. 59, TrV 227, Act I: Di rigori armato il seno 2:51
Der Evangelimann, Op. 45: Selig sind die Verfolgung leiden
- PRIMA VOCE - serie
- Herbert Ernst Groh - tenor
24.00 PLN
CD:
Nr kat.: NI7934Label : Nimbus Records
Herbert Ernst Groh was born in 1905 the son of a German father and Swiss mother living in Lucerne. His voice attracted attention at an early age, and he specialised in operetta from the outset and in 1929 commenced a career dominated by broadcasting and recording rather than on the stage. His recordings illustrate all facets of his art, and there are several instances where his choice of operatic material is unusual, and therefore not only vocally, but also musically very interesting.