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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
PRIMA VOCE, Enrico Caruso
Enrico Caruso in Song Vol. 3 - 1902-1920
ZamknijGaleria okładek
- PRIMA VOCE - serie
- Enrico Caruso - tenor
34.00 PLN
CD:
Nr kat.: NI7927Label : Nimbus Records
When Caruso died his obituary in The Times included the sentence "It is quite safe to say that no tenor voice equal to his, in its combination of power and extreme beauty of quality, has been heard in this generation." Most of us who are familiar with his recordings would, I believe, add the words "Nor has there been since" - I am certainly not aware that any of Caruso’s successors has ever claimed to be his equal. The selection contained on these two CDs, ranging as it does from the lightest-hearted of Tchaikovsky songs via sundry numbers of a religious nature to Neapolitan songs and Edwardian drawingroom ballads, may perhaps be regarded as less artistically ‘important’ than the operatic recordings, but Caruso was not a singer who lowered his standards when singing ‘light’ music. There is hardly a single track amongst the forty-four in this selection which does not make the listener think at one moment or another "Only Caruso could have done that!"