Instead of tackling the familiar jazz standards he believes have already been immortalized by other players, he puts a contemporary spin on an old idea, looking to this generation’s pop classics for material. His treatments of Steely Dan’s “Do It Again” (the first single), the Beatles’ “Lady Madonna,” and Bill Withers’ “Lovely Day,” to name a few, maintain the pop tempos and keys of the originals while also providing a new sonic experience.