w technologi 24 BIT HYPER MAGNUM SOUND!
Review by Matt Collar A die-hard bopper, alto saxophonist Phil Woods nonetheless manages to push the boundaries of straight-ahead hard bop on Souvenirs. As far as the '90s go, this is one of Woods' best. This version of Woods' quintet, most notably featuring trumpeter Brian Lynch, is a solid entity with much forward momentum. Lynch, a member of Art Blakey's last Jazz Messengers lineup, is easily one the best trumpeters around, displaying a knack for interesting note choices and lines that border on the progressive. Woods sounds thoroughly engaged throughout, attacking each tune with his characteristic fire. JazzTimes (6/97, p.129) - "...Woods has chops galore, and he plays with full bodied swing....The album is a solid sender, a beautiful rendition of straightahead mainstream jazz. The disk presents Phil's working band....But the attraction of course is Woods, and he's as great as ever..." Nagranie EKSTREMALNIE audiofilskie
Hyper Magnum Sound - to wyjątkowo subtelny proces 24 bitowego masteringu, w wyniku którego dźwięk uzyskuje bardzo głęboki, miękki i soczysty wymiar. Nagrania w tej technologii zachwycają urodą i klimatem jazzowej ballady, improwizacji, a także vocalem. Nikt nie potrafi tak ożywić brzmienia instrumentów jak Venus Records. |