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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Paris Combo
Live
- Paris Combo - group
The real test of a live album is whether it adds anything to the studio releases -- whether the performers can add another dimension to their music in concert. In the case of Paris Combo, the smoothness that has characterized their studio work might acquire a few rough edges, but that's all to the good, and their heady, sophisticated mix of jazz and chanson is something that's very audience-friendly. Considering they're only a five-piece, they manage a remarkably full sound, due in large part to the dexterity of David Lewis, who covers trumpet, bugle, and piano, and guitarist Potzi, whose adaptability between rhythm and lead roles is superb throughout. Perhaps the biggest difference is that the band stresses their instrumental skills more, with vocalist Belle du Berry taking something of a subordinate role, as on "Le Roi de la Foręt." They're helped by a great sound, which puts little flourishes of dub at the start of "Mais Que Fait la NASA?" and emphasizes the Middle Eastern texture of "Istanbul." They stretch out a little here and there, without ever making the solos tedious, and keep the hot jazz feel that's so much a part of their appeal. They cut loose on the encore of "Moi, Mon Ame et Ma Conscience" to great effect, giving the listener the full concert. It might not be quite the same as being in the same hall as the band, but it's close enough to be good. ~ Chris Nickson
Personnel:
Belle du Berry (vocals, accordion);
Mano Razanajato (vocals, double bass);
Uncle Dave Lewis (trumpet, flugelhorn, piano).
David Lewis (trumpet, piano);
Francois Jeannin (drums, background vocals).
