Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
One For All
No Problem
w technologi 24 BIT HYPER MAGNUM SOUND!
AllMusic Review by Ken Dryden [-] One for All have been an active New York City-based collective with fairly steady personnel except for the bass chair, which has rotated between several players. On this 2003 session for the Japanese Venus label, Ray Drummond joins tenorist Eric Alexander, trombonist Steve Davis, trumpeter Jim Rotondi, pianist David Hazeltine, and drummer Joe Farnsworth, the latter members all being part of the core group back to its creation in the mid-'90s. Most of the selections on this date are associated with Art Blakey's Jazz Messengers, having been written for the late drummer's band or popularized by him, while the band's name was the title of Blakey's final CD as a leader. It's easy to imagine Blakey digging Farnsworth's cooking tribute "Our Father Who Art Blakey." Duke Jordan's "No Problem" was a part of the Blakey repertoire during the late '50s; this arrangement gives it a decidedly Latin flavor. Hazeltine's soft touch in "Moanin'" is a refreshing change from the often heavy-handed interpretations. The exuberant "Time Off" sounds like it should have been a set closer, but this furious piece works regardless of its placement in the program, highlighted by Davis' blistering solo. For a change of pace, there's a lush treatment of Duke Ellington's "Prelude to a Kiss," showcasing a passionate Alexander solo. Nagranie EKSTREMALNIE audiofilskie
 Hyper Magnum Sound - to wyjątkowo subtelny proces 24 bitowego masteringu, w wyniku którego dźwięk uzyskuje bardzo głęboki, miękki i soczysty wymiar. Nagrania w tej technologii zachwycają urodą i klimatem jazzowej ballady, improwizacji, a także vocalem. Nikt nie potrafi tak ożywić brzmienia instrumentów jak Venus Records. |
